TheDrouth

14th August 2020

The Hollow Victory over Losers
by Johnny Rodger

Walter Benjamin's work is said to have much influence over contemporary thought. What has been the quality of that influence? And what could he possibly have to say about current winners and losers? Johnny Rodger looks at Benjamin in the context of some more recent work by Ahmed, Butler, Preciado and others.
12th August 2020

The Filmmaker and the Fervent
by David L.Robertson

There's been no shortage of big screen entertainment based on the Christian story - especially in the years immediately after 9/11 and the Anglo-American adventure in Iraq. What exactly is/was their appeal and what is the measure of their success? Are they just for the faithful and the fervent? David Robertson surveys the field.
7th August 2020

The map is not to blame
by Marlies Vermeulen and Remy Kroese (Dear Hunter)

Dear Hunter are designers, map makers and ‘cartopologists’ who engage with the supposedly empty spaces of borderlands, ex industrial landscapes and wherever their blend of art, architecture and anthropology is most needed. Reaching into both past and future, their distinctive practice shows how the map is never more powerful or effective than when treated as a verb.
24th July 2020

Agatha Christie’s ‘The Hollow’
by Owen Dudley Edwards

Agatha Christie wrote The Hollow at the height of her powers, writes Owen Dudley Edwards. Some rich digging through this novel and across all her writing reveals a Christie continually working through the disappointment, heartbreak and suffering of her personal life via the cute and beguiling morals of the whodunnit.
18th July 2020

Murdo MacDonald on Patrick Geddes :
His Intellectual Origins
by R J Morris

Powerful personality and polymath par excellence – Patrick Geddes has been plastered with so many labels that it sometimes seems that he’s all but disappeared from public perception. How should we rate Geddes and his work now? R J Morris puts the new critical work by Murdo MacDonald in context.
16th July 2020

Metaphor as Parasite:
on ecologies of love, language and disease
by Daisy Lafarge

Too complex to be just romance, too full of personal feeling to be only philosophy, Daisy Lafarge’s Metaphor is a peerlessly accomplished take on love in literary and biological history, gripped with a social scientist’s certainty and the passion of a votary. As an extract from a longer work-in-progress, Lovebug, due to be published in the near future, it was written prior to the global pandemic, so was not intended as a comment or an analysis on current events and all resonance therewith, happy or otherwise, is entirely fortuitous.
11th July 2020

The Power of Ten:
A New Turn(er) of Events
by Neil Cooper

For the second year in a row The Turner Prize takes a lurch towards acknowledgment of the collective. Is this democracy in action? Is it a definitive change? Should we rejoice? Or is the change dictated merely by temporary circumstances? Neil Cooper looks at the history and some contemporary realities.
9th July 2020

Imagination in the Contemporary Society of the Spectacle by Jacob Lund

We are currently witnessing some fundamental changes in the conditions and the status of images: More and more images are networked; cameras and screens (portable or fixed) are everywhere; image data is geotagged; databases can be navigated in real-time; the prevalence of the phenomena of operative images and "machine vision" detached from human control and sense-perception rapidly increases, etc.
6th July 2020

Tanja Engelberts

Tanja Engelbert’s work investigates the duality between the romantic landscape and its economic reality in today’s world.