TheDrouth
31st January 2020
Where would propaganda stand in the ‘early days of a better nation’ while the world is contemporaneously beset by the War on Terror, Fake News and other effects of the will of Trump and of Bannon and their likes on the contemporary political landscape? Hailey Maxwell looks through Jonas Staal’s work to open up some horizons.
28th January 2020
Jolanta Dolewska lives and works in Glasgow and works predominantly with photography. Her artistic practice is driven by concerns about the power struggle of human beings in relation to their physical and political existence...
19th December 2019
A pivotal figure in the intellectual and critical examination of Chinese Art, Carol Yinghua Lu writes about her research which reveals the complex sources, influences traditions and narratives which look […]
13th December 2019
The Coventry Biennial describes itself as the UK’s ‘social biennial’. More than any other biennale, the Coventry questions how the festival engages with the local community, and what relationship there […]
4th December 2019
Colin Kidd muses on relations (if any) between the near unanimity of the literary world and the actually existing historical world in his review of Scott Hames’s new book The Literary Politics […]
4th December 2019
Pascal Gielen once defined art ‘scenes’ as ‘the new factories in the economy of ideas’. The Glasgow art scene however, does sometimes seem more like an old stable for conjuring […]
27th November 2019
Dreams and Dramas :Law as Literature is the book to accompany the 2017 exhibition published by NGBK edited by Agnieszka Kilian in collaboration with Joerg Franzbecker and Jaro Varga. It examines […]
27th November 2019
When Marc Augé wrote in The Future that ‘Every protest is a form of research’ he could have been describing the artwork(s) / protest / civil disobedience / celebration / sit-in that was […]
Federalism – A Drouth Enquiry by Owen Dudley Edwards