Essays

14th February 2020

1917 AND ALL THAT
by Owen Dudley Edwards

Hailed as a significant technical achievement, Owen Dudley Edwards sees the film 1917 as a great humanising agent.
13th February 2020

Confessions of a Thug: Pakiveli

The hybridiser needs history as a pantry of costumes, wrote Nietzsche, that hymnographer of the Will. What is artist Hardeep Pandhal cooking up for us at The Tramway?
6th February 2020

Beethoven 250
by Iain Matheson

It’s a quarter millennium this year since the birth of THE Romantic hero, the Thunderer himself, Beethoven, who claimed to have taken ‘fate by the throat’ and would never ‘let it bend me completely to its will’. Iain Matheson picks his way through Beethoven’s will and his work.
31st January 2020

Does the estate have its own will? Dwelling upon the last will.
by Agnieszka Kilian

In a world proliferating in riches and injustice there seems, for the moment anyhow, little relief in the notion of generations. For Nietzsche the contract was a ‘memory of the will’, but there are other modes of control of future distribution of goods. The question here, for Agnieszka Kilian, with the last will, is who or what bequeaths, and what actually is the bequest?
19th December 2019

Back to the Individual Experience: Rethinking Chinese Art, Overturning EuroCentrism by Carol Yinghua Lu

A pivotal figure in the intellectual and critical examination of Chinese Art, Carol Yinghua Lu writes about her research which reveals the complex sources, influences traditions and narratives which look […]
13th December 2019

Tales of two cities: Coventry Biennial 2019 By Jamie Limond

The Coventry Biennial describes itself as the UK’s ‘social biennial’. More than any other biennale, the Coventry questions how the festival engages with the local community, and what relationship there […]
13th December 2019

Federalism – A Drouth Enquiry by Owen Dudley Edwards

It seems appropriate to publish a long meditation on the nature and history of federalism on the day of a British election where Brexit is the pressing issue and the […]
4th December 2019

Take the High Road: Scott Hames’ Literary Politics of Scottish Devolution by Colin Kidd

Colin Kidd muses on relations (if any) between the near unanimity of the literary world and the actually existing historical world in his review of Scott Hames’s new book The Literary Politics […]
4th December 2019

Alan Dimmick: From the Archive by Catherine Owen

Pascal Gielen once defined art ‘scenes’ as ‘the new factories in the economy of ideas’. The Glasgow art scene however, does sometimes seem more like an old stable for conjuring […]