For Greg Thomas, the music in Kim Moore's new release with Blackford Hill is at once a physical thing which moves, an image, and a word provoking profound affect. There is something 'urgent' here, he writes.
What cast of work is this, we might say of Peter Howson's new show at Edinburgh City Art Centre. He gives us a lot of matter to grapple with and a lot of things to ponder over. This is the first major retrospective of Howson's work with over 100 paintings over four floors. Arresting and compelling says Greg Thomas in review, and also grim and dark. Get along and make your own mind up is best.
Billed as 'groundbreaking', the Edinburgh City Art Centre exhibition, Glean - curated by Jenny Brownrigg - gathers the work of 14 pioneering early 20th century women photographers and filmmakers. Sara Stevenson reviews it for The Drouth, and considers it an 'impressive achievement'.
'Sometimes it feels like all the possible takes on the independence debate have already been 'well rehearsed'. Can the debate be refreshed and also gain some new subtlety and complexity? Richard Finlay assesses Gerry Hassan's new book-length contribution and is optimistic about its possible influence.
Born and raised in Glasgow, the only child of a Russian emigre, painter Yusef Szafki was much influenced by literature in his visual artwork. In an endlessly creative life, he published two literary works, including one on engaging with the Russian/Ukrainian writer Nikolai Gogol (60’ N (1996) ). Arguably the bold dreamlike, exaggerated style of Szafki’s work is influenced heavily by Gogol’s character, and his writing in such famous stories as ‘Diary of a Madman’ and ‘The Nose’. Johnny Rodger reviews this retrospective as the first exhibition to attempt a survey across his life’s work, and appreciates Szafki's experimentation and his ever-developing concerns with form, tone and texture.
The first book published in our 'Lost Institutions' series, it focuses on the early years of the legendary Glasgow theatre in the words of the actors who made it happen, collected and introduced by Raymond Burke. It was part of a thrilling scene says Folosa Melville in review.
A new book 'Glasgow Cool of Art: 13 books of fire at the Mackintosh Library' takes a personal, artistic, intellectual and critical view of the two fires in Mackintosh's masterwork. It attempts to square the trauma that the fires caused by looking at the effect on a wide range of people -adults, children, citizens, academics, artists, architects, and as Murdo Macdonald notes in review, addresses the challenge of the international worth or otherwise of that great building.
Japanese Artist Tomoko Konoike brought her wonderful dialogic textile art to an event co-organised by The Drouth for Glasgow International last year. Curator Naoko Mabon first published this text on Konoike in the online version of the Japan Quality magazine (Tokyo: Fudosha Co.Ltd.) in February 2022.
Three new books by James Kelman have just been published by PM Press of California. This must be an exciting time for both Kelman fans and for Kelman Studies. One new novel, one collection of essays, and and a philosophical debate between Kelman and Noam Chomsky -it's a lot to chew on. So The Drouth is delighted to be producing the first reviews of these new works. The final piece in our Kelman series is a review of his new collection of essays by researcher and writer Federica Giardino.