Review

20th November 2020

Cabaret Voltaire
-Shadow of Fear
by Neil Cooper

In an exceptional article for the Drouth, Neil Cooper writes to mark the release of Shadow of Fear, the first new album from Cabaret Voltaire for twenty years. The piece is exceptional in its musical profile for The Drouth, its exceptional in its extraordinary length, and also in its personal take on a rock story from Cooper.
27th September 2020

Come Into the Open:
Taking a Breather on the other side of Lockdown
by Neil Cooper

Artists have been adapting their practice to COVID-19 restrictions. In the open, is the Common Guild’s off-site response to the ongoing situation. Six artists have created new audio works designed to be listened to outdoors on headphones during government-sanctioned daily walks. Neil Cooper responds.
12th August 2020

The Filmmaker and the Fervent
by David L.Robertson

There's been no shortage of big screen entertainment based on the Christian story - especially in the years immediately after 9/11 and the Anglo-American adventure in Iraq. What exactly is/was their appeal and what is the measure of their success? Are they just for the faithful and the fervent? David Robertson surveys the field.
18th July 2020

Murdo MacDonald on Patrick Geddes :
His Intellectual Origins
by R J Morris

Powerful personality and polymath par excellence – Patrick Geddes has been plastered with so many labels that it sometimes seems that he’s all but disappeared from public perception. How should we rate Geddes and his work now? R J Morris puts the new critical work by Murdo MacDonald in context.
11th July 2020

The Power of Ten:
A New Turn(er) of Events
by Neil Cooper

For the second year in a row The Turner Prize takes a lurch towards acknowledgment of the collective. Is this democracy in action? Is it a definitive change? Should we rejoice? Or is the change dictated merely by temporary circumstances? Neil Cooper looks at the history and some contemporary realities.
31st May 2020

A Song From Under the Floorboards:
Susan Phillipsz’ Muffled Drums
by Neil Cooper

A new work commissioned from artist Susan Phillipsz was set to open at The Woodland's historic Hamilton Mansion. As the pandemic made the presentation impossible, the artist remade the work as a series of files that can be downloaded for lockdown , Neil Cooper describes the experience.
25th May 2020

Judith Butler’s ‘The Force of Nonviolence’ by Johnny Rodger

How long will the patriarchy last? -How long have you got? The universal quality of Butler's work demands, ironically, that you find it, not as some pristine, independent, already perfected example, but as situated in the relational context of, and with all the potential of, your own local world.
17th May 2020

Distantly Related: ‘Fieldwork’
at 42 Carlton Place
by Jamie Limond

42 Carlton Place has become known for its regular contributions to Glasgow International, its frequently historical-leaning painting shows implicitly questioning what it means to be ‘contemporary’ art. ‘Fieldwork’, the space’s GI 2020 presentation, has been rendered inaccessible due to recent events, but remains up and running remotely. Jamie Limond responds.
10th May 2020

While Absent
by Elizabeth Murphy
and Adrien Hester

On what would’ve been the last day of Glasgow International 2020, and in lieu of Teneu Radio, a radio play originally commissioned for and reflecting on the festival, Adrien Lester and Elizabeth Murphy reflect on the experience of absence, and the gaps left in the city as it’s in the process of reimagining itself.