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<!--Generated by Squarespace V5 Site Server v5.13.156 (http://www.squarespace.com) on Sun, 19 May 2013 02:16:32 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Editorial</title><link>http://www.thedrouth.org/editorial/</link><description></description><lastBuildDate>Thu, 09 May 2013 10:36:09 +0000</lastBuildDate><copyright></copyright><language>en-GB</language><generator>Squarespace V5 Site Server v5.13.156 (http://www.squarespace.com)</generator><item><title>RUBBING OFF THE CORNERS</title><dc:creator>[Your Name Here]</dc:creator><pubDate>Fri, 27 Apr 2012 16:50:13 +0000</pubDate><link>http://www.thedrouth.org/editorial/2012/4/27/rubbing-off-the-corners.html</link><guid isPermaLink="false">493764:5623508:16026006</guid><description><![CDATA[<p><span style="font-size: 130%;"><strong>Issue 45: FRAME<br /></strong></span></p>
<p><a href="http://www.thedrouth.org/storage/D45 editorial.pdf">Editorial</a></p>
<p>With issue 45 we give some attention to the edging we put around our soft centres... and welcome Charles Darwin to our editorial team. Along with absolutely everyone featured on this cover. (See if you can spot them...)</p>
<p><a href="http://www.thedrouth.org/storage/Drouth issue 45 sampler.pdf"><span class="full-image-block ssNonEditable"><span><img src="http://www.thedrouth.org/storage/Drouth Cover 45.jpg?__SQUARESPACE_CACHEVERSION=1368051418362" alt="" width="467" height="638" /></span></span></a></p>
<p>Our frames this issue range from the visual to the social. In our field of vision we have cover artist Marisusz Tarkawian's pictorial evaluative frameworks, Gavin Mottram on Douglas Gordon's contemplation, at 24 frames per second of the masculine force of Zenadine Zidane and Tony McKiver's exploration of Zizek's psychoanalytical critiques. Is there are a social framework more ambitious - or bent out of shape - than the mother Church? (That is not Owen Dudley Edwards's central question in his essay on Cardinal Keith O'Brien, but he offers plenty of useful suggestions).</p>
<p>Frames are there to be resisted, remade and spilled over. In Scotland, we consider how the framing device of our society can be remade using various political, historical and constitutional frameworks, a process thoroughly re-examnined in Catriona Macdonald's survey of the Indyref. If in Scotland, we can be assured that this debate (however ill-tempered and dyspeptic it may become) is unlikely to break out into war, but the release of Drouth editor David Archibald's <em>The War that Won't Die</em>: <em>The Spanish Civil War in Cinema</em> reminds us how history frames spectacles of various tints. We present an extract here, alongside Chris Buckle's thoughtful and considered review that places Archibald's scholarship amidst the wider context of anti-war films.</p>
<p>The scope of this issue is delineated by two modernist artists, the cosmopolitan emigre Igor Stravinsky (whose <em>The Rite of Spring</em> celebrates its centenary this month) and the Orcadian poet-mystic George Mackay Brown. As Iain Matheson and Linden Bickett demonstrate, the works of either man representing in its own way, modernism's response to the staggering depth and profundity of the traditions they sought to transcend.</p>
<p>Matheson's 'La Sacre Lunaire 100' appears on this issue's sampler, alongside Johnny Rodger's dissection of the recent debacle over George Square. Click on the cover to read them.</p>
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<p>&nbsp;</p>
<p><strong>RECENT ISSUES:</strong></p>
<p><strong>Issue 44: Tension</strong></p>
<p>Guest Artist: Neil Clements<strong><br /></strong></p>
<p><a href="http://www.thedrouth.org/storage/D44%20Editorial.pdf"><span class="full-image-block ssNonEditable"><span><img src="http://www.thedrouth.org/storage/1.Drouth Cover.jpg?__SQUARESPACE_CACHEVERSION=1363547924679" alt="" width="140" height="192" /></span></span></a></p>
<p>(Click cover to read editorial and sample articles)</p>
<p><strong>Issue 43:Margin</strong></p>
<p>Guest Artist: Stuart McAdam</p>
<p><a href="http://www.thedrouth.org/storage/D43%20editorial.pdf"><span class="ssNonEditable full-image-block"><span><img src="http://thedrouth.squarespace.com/storage/Drouth43cover.jpg?__SQUARESPACE_CACHEVERSION=1349992664047" alt="" width="144" height="196" /></span></span></a></p>
<p>(Click cover to read editorial and sample articles)</p>
<p><strong>Issue 42: Strategy</strong></p>
<p>Guest Artist: Viktor Koen<strong><br /></strong></p>
<p><a href="http://www.thedrouth.org/storage/D42 samplesand edit.pdf"><span class="full-image-block ssNonEditable"><span><img src="http://www.thedrouth.org/storage/D42 cover.jpg?__SQUARESPACE_CACHEVERSION=1335546412511" alt="" width="154" height="217" /></span></span></a>(Click cover to read editorial and sample articles)</p>
<p><strong>Issue 41: Graphic</strong></p>
<p>Guest Editor: Frances Robertson</p>
<p>Guest Artist: Graphical House</p>
<p><a href="http://www.thedrouth.org/storage/D41 samples.pdf"><span class="full-image-block ssNonEditable"><span><img src="http://www.thedrouth.org/storage/D41cover.jpg?__SQUARESPACE_CACHEVERSION=1335547238444" alt="" width="155" height="221" /></span></span></a></p>
<p>(click cover to read editorial and sample articles)</p>
<p><strong>Issue 40: Decade (tenth anniversary issue)</strong></p>
<p>Guest Artist: Alasdair Gray<strong><br /></strong></p>
<p><a href="http://www.thedrouth.org/storage/D40 samples.pdf"><span class="full-image-block ssNonEditable"><span><img src="http://www.thedrouth.org/storage/D40 cover.jpg?__SQUARESPACE_CACHEVERSION=1335547623073" alt="" width="153" height="212" /></span></span></a></p>
<p>(click cover to read editorial and sample article)</p>
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