Drouth Weekly

5th July 2022

JOBS FOR THE BOYS:
‘Boys from the Blackstuff’ 40 years on
Neil Cooper

BBC4 will be showing Alan Bleasdale's Liverpool-set 1980's series Boys from the Blackstuff starting Wednesday July 6th. It's an important anniversary of the work -but why and how did Liverpool theatre, film and TV become an almost institutionalised lingua franca for British working class expression and struggle from the 1980s on? What is it about the culture of that city that made it such a working class touchstone? Neil Cooper looks into the Merseyside context of Bleasdale's writing and gives us a fully researched and detailed examination of the history and legacy of the great work done.
18th June 2022

INSTITUTION
by
Owen Dudley Edwards

What is the constitution of an institution? Who decides in and for an institution? What happens when an institution rejects us, or when we destroy an institution? Owen Dudley Edwards meditates ...

The Drouth Review

3rd June 2022

The ARCHES THEATRE:
The Unauthorised Autobiography
edited and introduced by Raymond Burke
reviewed by FOLOSA MELVILLE

The first book published in our 'Lost Institutions' series, it focuses on the early years of the legendary Glasgow theatre in the words of the actors who made it happen, collected and introduced by Raymond Burke. It was part of a thrilling scene says Folosa Melville in review.
3rd June 2022

GLASGOW COOL OF ART:
13 books of fire at the Mackintosh Library
by Johnny Rodger
reviewed by MURDO MACDONALD

A new book 'Glasgow Cool of Art: 13 books of fire at the Mackintosh Library' takes a personal, artistic, intellectual and critical view of the two fires in Mackintosh's masterwork. It attempts to square the trauma that the fires caused by looking at the effect on a wide range of people -adults, children, citizens, academics, artists, architects, and as Murdo Macdonald notes in review, addresses the challenge of the international worth or otherwise of that great building.
19th March 2022

TOMOKO KONOIKE
Storytelling Table Runner
by Naoko Mabon

Japanese Artist Tomoko Konoike brought her wonderful dialogic textile art to an event co-organised by The Drouth for Glasgow International last year. Curator Naoko Mabon first published this text on Konoike in the online version of the Japan Quality magazine (Tokyo: Fudosha Co.Ltd.) in February 2022.
21st January 2022

US OR THEM:
Kelman’s ‘The State is Your Enemy’
Reviewed by Federica Giardino

Three new books by James Kelman have just been published by PM Press of California. This must be an exciting time for both Kelman fans and for Kelman Studies. One new novel, one collection of essays, and and a philosophical debate between Kelman and Noam Chomsky -it's a lot to chew on. So The Drouth is delighted to be producing the first reviews of these new works. The final piece in our Kelman series is a review of his new collection of essays by researcher and writer Federica Giardino.
14th January 2022

‘GOD’S TEETH…’
James Kelman’s new novel
reviewed by Gerry Hassan

Three new books by James Kelman have just been published by PM Press of California. This must be an exciting time for both Kelman fans and for Kelman Studies. One new novel, one collection of essays, and and a philosophical debate between Kelman and Noam Chomsky -it's a lot to chew on. So The Drouth is delighted to be producing the first reviews of these new works. The second up in our Kelman series is a review of his new novel by writer Gerry Hassan.
5th January 2022

KELMAN & CHOMSKY Reviewed by Carole Jones

Three new books by James Kelman have just been published by PM Press of California. This must be an exciting time for both Kelman fans and for Kelman Studies. One new novel, one collection of essays, and and a philosophical debate between Kelman and Noam Chomsky -it's a lot to chew on. So The Drouth is delighted to be producing the first reviews of these new works. First up is literary critic and scholar Carole Jones with her reading of the decades long engagement between Kelman and Chomsky mapped out through this published collection of essays, interviews and correspondence between the two writers.
26th October 2021

Underneath the Arches :
building the foundations to fail better
by Neil Cooper

The loss of The Arches as a site for the eruption of anarchic creative collaborations of a generation through all forms imaginable was a shock. Did the forces of conservatism conspire to finish it off in 2015... or maybe its work was done there, and the spirit needed to move on anyway? Neil Cooper's review of Innes and Bratchpiece's history of the venue is epic and elegaic: it deserves all that and even more ...
30th September 2021

THOMAS JOSHUA COOPER :
‘The World’s Edge …’
by Dana Macfarlane

The Scotto-American photographer Thomas Joshua Cooper is a titan in his field. Dana Macfarlane reviews his new show, ‘The World’s Edge – The Atlas of Emptiness and Extremity’, at the Scottish National Portrait Gallery and discusses the tensions in the work which is 'unsettling' and 'subtly uncanny'.
1st August 2021

RAW & GREEN? :
Barnabas Calder on Architecture and Energy
by Florian Urban

Form follows Fuel -or is it, Form follows Food? -Or both? In advance of COP26 -and our own specially timed 'Climate' issue in November, Florian Urban assesses Barnabas Calder's new book. Its exposé of Architecture - and especially the production of its materials, steel and cement - as the worst of climate-change culprits is interesting, to say the least, in the light of Calder's published panegyrics on Brutalism...
5th July 2021

SUGAR AND SOOT & ALL THINGS MOOT :
Denise Ferreira da Silva & Arjuna Neuman @ CCA
by Johnny Rodger

Can climate change be discussed in isolation from racism? From slavery? Can it be discussed in isolation from anything? Johnny Rodger reviews the art work/film by Ferreira da Silva and Neuman commissioned for the Glasgow International Festival.
2nd June 2021

Mining the Moral Economy:
Ewan Gibbs on Coal and Deindustrialisation
by Johnny Rodger

Ewan Gibbs' book 'Coal Country' claims to be the first full length study of deindustrialisation in the Scottish coalfields. But its scope is actually much broader and much more ambitious in its treatment of an age of massive social upheaval. Johnny Rodger reviews and appreciates that ambition.
19th May 2021

Neighbouring in Deep Time:
Ilana Halperin in Yamaguchi
by Naoko Mabon

In advance of our own Neighbouring project (15-18 June @ GI), one of our Scottish Japanese collaborators, Naoko Mabon, writes here of the work of Scottish artist Ilana Halperin in Japan. Halperin's mineral investigations open us up to the urgency of our understanding of and identity with the geological in the age of Anthropocene.