Hanna Tuulikki, Avian Reels Live streaming from a greenspace in Helsinki, Finland. Hanna Tuulikki will perform extracts from three recent studies for solo voice: Four Songbirds, a wordless improvisation based on musical patterns […]
Tomoko Konoike and Mayako Murai, Travel Dialogue Form Tomoko Konoike is an artist, and Mayako Murai is a fairy-tale scholar. About ten years ago, the two began to organise lectures and […]
Jessica Ramm, Bucket-head Whiteout Scenario Jessica Ramm’s performance invites you to observe a training exercise, which begins like this: “Imagine a frozen ice-bound valley – you within it; and these people next […]
Nile Koetting, Evacuation Picnic Over the last few years Tokyo and Berlin based artist Nile Koetting has been working with an immersive scenography and installation in which choreography is exchanged between […]
ニューNormal? New ノーマル? In a world adapting to a global pandemic, we are positioned as passive spectators to a screen. In this collaborative performance, artists Mio Harada, Shoko Imai, and […]
Shizuka Yokomizo, Artist Talk In a pre-recorded video, the artist will talk about her past works focusing on the experience of living in another culture – being displaced and encountering […]
A meeting of Japanese and Scottish artists programmed as part of Glasgow International 2021 (15th – 18th June 2021) ‘Neighbouring’ is a 4-day on-line workshop programmed as a part of Glasgow […]
Ewan Gibbs' book 'Coal Country' claims to be the first full length study of deindustrialisation in the Scottish coalfields. But its scope is actually much broader and much more ambitious in its treatment of an age of massive social upheaval. Johnny Rodger reviews and appreciates that ambition.
The analysis of the political landscape of Scotland post-election 2021 that it's been worth waiting for. Owen Dudley Edwards looks at the results and the likely legacies, and puts them in the context of such a deep time and broad space as you won't be able to read elsewhere. It's a reading which is considered and generous in its appreciations, even if forthright in its partisanship.