10th September 2026
Justin Carter’s recent show ‘between objects and things’ at the Studio Pavilion Gallery in Bellahouston Park, reviewed by Johnny Rodger
10th September 2026
Everyone knows that for the respective communities who support the two big football teams in Glasgow, there is more than just football at stake. The issue is, of course, avoided in polite society, but down on the street it's not so easy to pretend it doesn't exist. This is a new Glaswegian's view from Wattana Songpetchmongkol.
14th July 2026
The story of British housing as seen through film is one of ubiquitous and enduring apartheid. Yet, have the filmmakers themselves been immune to that social ill? Johnny Rodger gives an intersectional reading of housing and film with a prompt for plenty viewing as well as reading.
5th July 2021
Can climate change be discussed in isolation from racism? From slavery? Can it be discussed in isolation from anything? Johnny Rodger reviews the art work/film by Ferreira da Silva and Neuman commissioned for the Glasgow International Festival.
9th April 2020
Every week, we’ll be offering a digest of some of the Coronovirus commentary that has caught our eye. We do not pretend to cover all the work being churned out at present (in fact, today’s offering is a measly six selections) but we do attempt to pluck what is interesting, informative and off-kilter from the wider Coronaviral currents.
24th March 2020
When I took the apple from the horse’s mouth, I thought I knew it didn’t want me to speak. -Not the horse. And not that this is speaking, or for that matter, even knowing.
13th February 2020
The hybridiser needs history as a pantry of costumes, wrote Nietzsche, that hymnographer of the Will. What is artist Hardeep Pandhal cooking up for us at The Tramway?
19th December 2019
Based on three in-depth conversations with the former President of the Soviet Union, Meeting Gorbachev (2019) is the latest documentary from Werner Herzog. How does ‘ecstatic truth’ fare when contending […]
21st November 2019
What is a 'Training Camp' organised for and by artists and activists? What would ‘Training for the Future’ mean at an International Arts and Music Festival? The Drouth was at ‘Training for the Future’ at the Ruhr Triennale.