ニューNormal? New ノーマル? In a world adapting to a global pandemic, we are positioned as passive spectators to a screen. In this collaborative performance, artists Mio Harada, Shoko Imai, and […]
Shizuka Yokomizo, Artist Talk In a pre-recorded video, the artist will talk about her past works focusing on the experience of living in another culture – being displaced and encountering […]
A meeting of Japanese and Scottish artists programmed as part of Glasgow International 2021 (15th – 18th June 2021) ‘Neighbouring’ is a 4-day on-line workshop programmed as a part of Glasgow […]
Ewan Gibbs' book 'Coal Country' claims to be the first full length study of deindustrialisation in the Scottish coalfields. But its scope is actually much broader and much more ambitious in its treatment of an age of massive social upheaval. Johnny Rodger reviews and appreciates that ambition.
The analysis of the political landscape of Scotland post-election 2021 that it's been worth waiting for. Owen Dudley Edwards looks at the results and the likely legacies, and puts them in the context of such a deep time and broad space as you won't be able to read elsewhere. It's a reading which is considered and generous in its appreciations, even if forthright in its partisanship.
Comic Pranksters or Guerilla Interventionists? Why would anyone from a Scheme (or an ESTATE as they pump it up down there) scheme to burn a million quid? Neil Cooper lets loose on Jimmy Cauty's installation ESTATE and all the music and art and film around it which is coming your way...
In advance of our own Neighbouring project (15-18 June @ GI), one of our Scottish Japanese collaborators, Naoko Mabon, writes here of the work of Scottish artist Ilana Halperin in Japan. Halperin's mineral investigations open us up to the urgency of our understanding of and identity with the geological in the age of Anthropocene.
On 17th May the British Film Institute (BFI) released a 3 Disc Blu-ray box set to celebrate fifty years since the first transmission of the BBC's 'Play for Today'. David Archibald has written an accompanying essay for the two Peter McDougall plays which appear in volume 2 of the set. Archibald's piece is a retrospective on a way of life and the art it produced -in special arrangement with the BFI we bring the essay to The Drouth readers' attention.
Photographer Nicky Bird's engagement with memory, community, place and legacy is put in artistic and intellectual context by Eszter Biró in a review of Bird's new show at Streetlevel Gallery (until 6th June).