TheDrouth
18th September 2020
Isobel Lutz-Smith is a Scottish artist based in Glasgow. In 2016 she graduated from the Master of Fine Art at Glasgow School of Art, as part of this programme she spent an exchange semester at Tokyo University of the Arts.
21st August 2020
Abolish restaurants, statues, bars, mirrors and painting -the lot? The bourgeois desire to be served is inescapable in our urban contexts which consolidated in the 19th century city - the ideological hothouse of capitalist modernity. Hussein Mitha reflects on the glut of materials crowding the urban consumer.
14th August 2020
Walter Benjamin's work is said to have much influence over contemporary thought. What has been the quality of that influence? And what could he possibly have to say about current winners and losers? Johnny Rodger looks at Benjamin in the context of some more recent work by Ahmed, Butler, Preciado and others.
12th August 2020
There's been no shortage of big screen entertainment based on the Christian story - especially in the years immediately after 9/11 and the Anglo-American adventure in Iraq. What exactly is/was their appeal and what is the measure of their success? Are they just for the faithful and the fervent? David Robertson surveys the field.
7th August 2020
Dear Hunter are designers, map makers and ‘cartopologists’ who engage with the supposedly empty spaces of borderlands, ex industrial landscapes and wherever their blend of art, architecture and anthropology is most needed. Reaching into both past and future, their distinctive practice shows how the map is never more powerful or effective than when treated as a verb.
24th July 2020
Agatha Christie wrote The Hollow at the height of her powers, writes Owen Dudley Edwards. Some rich digging through this novel and across all her writing reveals a Christie continually working through the disappointment, heartbreak and suffering of her personal life via the cute and beguiling morals of the whodunnit.
18th July 2020
Powerful personality and polymath par excellence – Patrick Geddes has been plastered with so many labels that it sometimes seems that he’s all but disappeared from public perception. How should we rate Geddes and his work now? R J Morris puts the new critical work by Murdo MacDonald in context.
16th July 2020
Too complex to be just romance, too full of personal feeling to be only philosophy, Daisy Lafarge’s Metaphor is a peerlessly accomplished take on love in literary and biological history, gripped with a social scientist’s certainty and the passion of a votary. As an extract from a longer work-in-progress, Lovebug, due to be published in the near future, it was written prior to the global pandemic, so was not intended as a comment or an analysis on current events and all resonance therewith, happy or otherwise, is entirely fortuitous.
PLAGUE Albert Camus’ La Peste (1947) by Owen Dudley Edwards