TheDrouth
25th October 2019
Ian Rankin is a rare novelist in admitting that his decision over what sort of fiction he would write was predicated upon a desire for paternal approval...
25th October 2019
Kelman’s reading was lively, entrancing at times, and the writer was pretty much at his performing best. In questions he was voluble, but as awkward as ever, maintaining his line over language, class and marginalisation, even in this, one of the most crassly populist, conservative of events on the literary calendar…
25th October 2019
James Kelman’s politics are difficult. They make difficulties for his readers. They make difficulties for authorities, producers, editors, publishers, and broadcasters. They make difficulties for the writer himself...
10th October 2019
A typical definition of the concept ‘Artistic License’ would outline the notion that the artist may be perceived as having freedom to distort some aspect of their subject in order to bring attention to, criticise, or satirize it...
1st October 2019
Rupali Patil is a member of Clark House Initiative, Bombay. She re-arranges visuals that critique political oversight and corruption...
16th November 2016
In a timely piece, Nyla Ahmed writes in praise of Ms Marvel, the first major Muslim-American superhero. From The Drouth issue 56:
16th November 2015
From – Issue 53 – Territory I come from an expansive archipelago in South East Asia, where the notion of territory is traditionally elusive. A historian once wrote that before […]
12th September 2015
The Arab revolutions that started in the winter of 2010 have wreaked havoc with political certainties. At the “Festival of Dangerous Ideas” last year, the British-Pakistani intellectual Tariq Ali lamented […]
‘The sense of helplessness is more of a choice than a reality, in my opinion’ – James Kelman in dialogue with Noam Chomsky