TheDrouth

23rd January 2023

THE GLEAN review by Sara Stevenson

Billed as 'groundbreaking', the Edinburgh City Art Centre exhibition, Glean - curated by Jenny Brownrigg - gathers the work of 14 pioneering early 20th century women photographers and filmmakers. Sara Stevenson reviews it for The Drouth, and considers it an 'impressive achievement'.
12th January 2023

What Should an Art School be? by Murdo Macdonald

A meditation on those places where you can learn to see things and make things, and mess around with materials and forms and colours, usually for no particular purpose other than what Murdo Macdonald calls here a 'true education'. What will come of it, what has become of it?
12th January 2023

THE NEW VOCAL CLUB:
Between Eldorado and Utopia
by
Neil Cooper

Has there been a new discovery of the social and civic aspects of song -its historic powers? What are the sources and its outcomes of such a movement? How did it start up, where does it happen, who takes part and where is it going? Neil Cooper went to see and listen to the NVC in Perth.
24th December 2022

Glasgow Rock Diaries: Chapter 101
THE CLYDESIDE CLASH
by
Raymond Burke

What an Xmas scoop! -our sister blatt the Finnieston Times and their reporter Raymond Burke unearth yet another vital manuscript for the annals of contemporary rockography.
19th November 2022

Scotland Rising: The Case for Independence by Gerry Hassan reviewed by RICHARD FINLAY

'Sometimes it feels like all the possible takes on the independence debate have already been 'well rehearsed'. Can the debate be refreshed and also gain some new subtlety and complexity? Richard Finlay assesses Gerry Hassan's new book-length contribution and is optimistic about its possible influence.
20th October 2022

FLAUNTING SZAFKI
by
JOHNNY RODGER

Born and raised in Glasgow, the only child of a Russian emigre, painter Yusef Szafki was much influenced by literature in his visual artwork. In an endlessly creative life, he published two literary works, including one on engaging with the Russian/Ukrainian writer Nikolai Gogol (60’ N (1996) ). Arguably the bold dreamlike, exaggerated style of Szafki’s work is influenced heavily by Gogol’s character, and his writing in such famous stories as ‘Diary of a Madman’ and ‘The Nose’. Johnny Rodger reviews this retrospective as the first exhibition to attempt a survey across his life’s work, and appreciates Szafki's experimentation and his ever-developing concerns with form, tone and texture.
11th October 2022

AFTER HENRY’S… Not Quite Greenwich Village
by
NEIL COOPER

An addition to our 'Lost Institutions' series, Neil Cooper sings the praise of a much missed music venue - Henry's Cellar Bar. But is it really lost -is that the way it works with the subculture -does it ever get stuck on one place? Is Utopia a material, or a performance, or ...?
11th October 2022

THE QUIET REVOLUTION
by
BURKE and McLEAN

'What did you do, dad, on the 19th of September 2022?' -The People of South Lanarkshire did not rest on that day - Burke and McLean (not Edmund and John, but Raymond and Richard) egged them on to the respectful end, while the Queen of England was laid to rest.
5th July 2022

JOBS FOR THE BOYS:
‘Boys from the Blackstuff’ 40 years on
Neil Cooper

BBC4 will be showing Alan Bleasdale's Liverpool-set 1980's series Boys from the Blackstuff starting Wednesday July 6th. It's an important anniversary of the work -but why and how did Liverpool theatre, film and TV become an almost institutionalised lingua franca for British working class expression and struggle from the 1980s on? What is it about the culture of that city that made it such a working class touchstone? Neil Cooper looks into the Merseyside context of Bleasdale's writing and gives us a fully researched and detailed examination of the history and legacy of the great work done.