TheDrouth
3rd November 2021
How is the Anthropocene at sea/local level? And how can climate change be be felt, and dealt with through the time worn understandings and handlings of material in the oceanic zones? Reviewing Saoirse Higgins' show PapØycene at the Pier in Stromness, Antonia Thomas suggests that art and artists can open us to new perspectives - and that Higgins, in particular, sets a 'benchmark' here.
29th October 2021
The beautiful photographic documentation of 'environmental stories' by Sophie Gerrard allows us to pose questions about damage and care and recovery and the relationships between them.
29th October 2021
Are some places more obviously adaptable and amenable to new environmental measures and regimes, and what are the economics and politics of some of the new necessities? Guest Editor for our Climate theme, Dominic Hinde, surfs the local modern to sample the global drift.
29th October 2021
Hannah Imlach (b.1989) is a visual artist and researcher based in Glasgow. Over the last ten years, she has developed a collaborative practice, working within communities of specialist environmental knowledge to create artworks on complex ecologies, emergent scientific research, and renewable energy transition. Imlach’s projects begin with fieldwork...
26th October 2021
The loss of The Arches as a site for the eruption of anarchic creative collaborations of a generation through all forms imaginable was a shock. Did the forces of conservatism conspire to finish it off in 2015... or maybe its work was done there, and the spirit needed to move on anyway? Neil Cooper's review of Innes and Bratchpiece's history of the venue is epic and elegaic: it deserves all that and even more ...
22nd October 2021
The absurdities of the American War in Afghanistan -backed by their allies- are exposed here by Owen Dudley Edwards. As another view of the tragedy it is heartbreaking in its farcical detail, and recounts a sorry tale which, despite withdrawal of US and allied troops, is far from over for the people of the region.
10th October 2021
Bombarded with multiple narratives on the ongoing tragedy of Afghanistan it's easy to see why many people might shrug and turn away leaving it as a dangerous and desperate void of suffering... 'The US have learnt nothing' writes Muhammad Idrees Ahmad, and does the world a huge service by getting to the heart of the complex Afghan matter with concision, clear-sightedness and neutrality
30th September 2021
The Scotto-American photographer Thomas Joshua Cooper is a titan in his field. Dana Macfarlane reviews his new show, ‘The World’s Edge – The Atlas of Emptiness and Extremity’, at the Scottish National Portrait Gallery and discusses the tensions in the work which is 'unsettling' and 'subtly uncanny'.
Glasgow, Clydeside’s Carbon Capital by Ewan Gibbs