Anthropology

23rd January 2023

THE GLEAN review by Sara Stevenson

Billed as 'groundbreaking', the Edinburgh City Art Centre exhibition, Glean - curated by Jenny Brownrigg - gathers the work of 14 pioneering early 20th century women photographers and filmmakers. Sara Stevenson reviews it for The Drouth, and considers it an 'impressive achievement'.
28th January 2022

POINTS IN THE AMBIENCE:
Travels with Archaeologists & Artists in Orkney
by
Susan Brind & Jim Harold, Alex Hale, Daniel Lee, Antonia Thomas

The document of a journey and one-day dérive from Happy Valley to Billia Croo. In a collaboration between Archaeologists and Artists across the landscape in Orkney, Susan Brind & Jim Harold, Alex Hale, Daniel Lee, Antonia Thomas reveal layers of data and perform a 'disappearance'.
3rd November 2021

‘Survival Tools of the Anthropocene’: Islandness and Resilience in Saoirse Higgins’ Pap-ØY-cene
by Antonia Thomas

How is the Anthropocene at sea/local level? And how can climate change be be felt, and dealt with through the time worn understandings and handlings of material in the oceanic zones? Reviewing Saoirse Higgins' show PapØycene at the Pier in Stromness, Antonia Thomas suggests that art and artists can open us to new perspectives - and that Higgins, in particular, sets a 'benchmark' here.
24th April 2021

Borders in Borderland:
Scottish frontiers as makers and markers of national and urban identity
by Giovanna Guidicini

What would the introduction of control on the border between Scotland and England mean for those two jurisdictions? What would a politically independent Scotland's controlled borders mean for its relations with the rest of Europe? Giovanna Guidicini looks at the history of the frontier which set Scotland apart and marked out its national territorial integrity. How and why did it come about, and what were the Scots' and outsiders' reaction to it.
7th August 2020

The map is not to blame
by Marlies Vermeulen and Remy Kroese (Dear Hunter)

Dear Hunter are designers, map makers and ‘cartopologists’ who engage with the supposedly empty spaces of borderlands, ex industrial landscapes and wherever their blend of art, architecture and anthropology is most needed. Reaching into both past and future, their distinctive practice shows how the map is never more powerful or effective than when treated as a verb.
29th May 2020

Recovering Reality: Fact-Checking the Traveller… (tether your scapegoat here…)
by Candace G. Thomas

In part two of her extended essay on the prejudices and stigma still faced by contemporary Travellers, Candace Thomas challenges the callousness both casual - and causal - of media and policy makers in a way very recently, proven to rattle those in power: checking the facts and recovering reality.
9th May 2020

Traveller crime – or a crime to Travellers?
by Candace G. Thomas

It's a story very familiar to anyone from a Traveller culture; with depressing familiarity sections of the British media dust off every shopsoiled prejudice and trope to demonise a culture already far off on the margins. But as researcher and activist Candace Thomas explains, Travellers are no longer inclined to suffer in silence.
22nd August 2019

The Photography of Thomas Annan – Anne Lyden Talk

Why was it that in the nineteenth century for such a great percentage of the population it suddenly became no longer a privilege to live in the city (as opposed […]