Cinema
2nd January 2021
An epistolary transliteration of a performative dialogue on the possibility of building a non-fiction cinema for the memory of women (as political subjects) – and the role of male academics in that process. Originally presented at Universitat Rovira i Virgili, Catalunya by Núria Araüna Baro and David Archibald.
12th August 2020
There's been no shortage of big screen entertainment based on the Christian story - especially in the years immediately after 9/11 and the Anglo-American adventure in Iraq. What exactly is/was their appeal and what is the measure of their success? Are they just for the faithful and the fervent? David Robertson surveys the field.
5th March 2020
Bi Gan’s Long Day’s Journey Into Night, a massive 2018 box office success in China which confused the hell out of the date-night audience it was marketed towards, has finally limped its way over to a UK distracted by Parasite. Long Day’s mixes art house boredom with trashy noir tropes and 3D, single-take gimmickry, un-bottling a whole jumble of questions about how and why we watch long, ponderous movies when we could be watching something else.
20th February 2020
In an age of surveillance capitalism is it no longer viable to put hope in the creative possibilities Walter Benjamin believed were opened to humanity through technological advances in media? –Or can a new poetics of infrastructure disrupt the sinister operations of corporate power? Ravi Sundaram surveys the will in the media.
14th February 2020
Hailed as a significant technical achievement, Owen Dudley Edwards sees the film 1917 as a great humanising agent.
19th December 2019
Based on three in-depth conversations with the former President of the Soviet Union, Meeting Gorbachev (2019) is the latest documentary from Werner Herzog. How does ‘ecstatic truth’ fare when contending […]
4th September 2019
FOR SAMA is simply a film that everyone must see. You will weep over the bloody betrayal of the Syrian people’s hopes for freedom. It might sound like some cheap […]
The Greenock Industrial and the Greenock Pastoral in ‘Just A Boys’ Game’ and ‘The Elephants’ Graveyard’ by David Archibald