City
6th January 2022
Our recent review of the new book on The Arches by Bratchpiece and Innes noted the great achievement of the work in showing how that institution was at the heart of a grassroots creativity in Glasgow. But before the internationally famed club came the prelude -the Theatre company that kept the Arches open and made it all possible. Raymond Burke has set the record right on this, collecting and introducing the story of the Arches Theatre through the words of the actors themselves. We publish in two parts: here is PART 1- the story goes on.
26th October 2021
The loss of The Arches as a site for the eruption of anarchic creative collaborations of a generation through all forms imaginable was a shock. Did the forces of conservatism conspire to finish it off in 2015... or maybe its work was done there, and the spirit needed to move on anyway? Neil Cooper's review of Innes and Bratchpiece's history of the venue is epic and elegaic: it deserves all that and even more ...
26th May 2021
Comic Pranksters or Guerilla Interventionists? Why would anyone from a Scheme (or an ESTATE as they pump it up down there) scheme to burn a million quid? Neil Cooper lets loose on Jimmy Cauty's installation ESTATE and all the music and art and film around it which is coming your way...
11th May 2021
On 17th May the British Film Institute (BFI) released a 3 Disc Blu-ray box set to celebrate fifty years since the first transmission of the BBC's 'Play for Today'. David Archibald has written an accompanying essay for the two Peter McDougall plays which appear in volume 2 of the set. Archibald's piece is a retrospective on a way of life and the art it produced -in special arrangement with the BFI we bring the essay to The Drouth readers' attention.
24th April 2021
What would the introduction of control on the border between Scotland and England mean for those two jurisdictions? What would a politically independent Scotland's controlled borders mean for its relations with the rest of Europe? Giovanna Guidicini looks at the history of the frontier which set Scotland apart and marked out its national territorial integrity. How and why did it come about, and what were the Scots' and outsiders' reaction to it.
26th March 2021
THIS IS NOT AN ALLEGORY -A charismatic male political leader who gathers his support around his powerful personality, is revealed as a dodgy bully, who uses his power to prey sexually on women, is taken to court -nay takes the whole nation to court himself -twice!- is publicly disgraced, but sets himself up in a show at the Edinburgh Fringe, and in Russian media, sets up his own new political party, full of sycophantic followers ... and ... WE MAKE NO EXCUSES FOR REPUBLISHING THIS REVIEW FROM SEVERAL YEARS AGO (from New Left Project 2012) - will we never learn ? It's enough to make us recommend never voting for a man to lead your country ...
26th January 2021
What happens when a cataclysm brings about the loss of a city's populations and of its historic buildings and neighbourhoods? Can they be rebuilt in reality, or refound in fragments of memory, in art, in history, in literature in documentation? There is something strangely unsettling about reproductions of historical realities, and the relationship of disappeared history to current day realities. Pippa Goldschmidt examines the case with the help of Freud's notion of the Uncanny.
2nd January 2021
An epistolary transliteration of a performative dialogue on the possibility of building a non-fiction cinema for the memory of women (as political subjects) – and the role of male academics in that process. Originally presented at Universitat Rovira i Virgili, Catalunya by Núria Araüna Baro and David Archibald.
Repointing the Brickwork:
The birth of the Arches PART II
intro by Raymond Burke