Class
7th June 2020
Having quietly endured almost twenty years of managed decline, writes Hailey Maxwell, it is crucial that we consider the possibility that the Peoples’ Palace on Glasgow Green – a valuable civic asset and monument to Scottish history and working-class life may presently be at real risk of being neutralised, misappropriated and entirely co-opted into a neoliberal agenda. Spaces and places which were once public are being repurposed and reimagined not for the benefit of the citizen but for the property developer, the multi-national corporation and the tourist.
26th April 2020
The Covid-19 pandemic is a global health crisis yet its effects are not felt equally aross the world or throughout societies. Shannon Maree Torrens shows us how inequalities are having particularly devastating effect at this time, and makes the case for urgent change in national and international governance.
7th April 2020
'It’s going to disappear. One day, it’s like a miracle, it will disappear...’
19th March 2020
The introduction to Benjamin’s Arcades Project, was written in 1938 but not published until long after his death. It is an attempt to categorically reveal how, through the apparent chaos and convulsions in 19th century Parisian culture and society, great explorations and exposés of the realities of the epoch and its ramifications for later generations, are afforded us by examination of the lives and works of its inhabitants.
2nd March 2020
Taking inspiration from James Shapiro’s Contested Will Owen Dudley Edwards takes a wry look at the absurdist snobbery and the sheer daftness of the ‘who really wrote Shakespeare?’ tradition.
14th February 2020
Hailed as a significant technical achievement, Owen Dudley Edwards sees the film 1917 as a great humanising agent.
21st November 2019
On the impact of illegal gold mining in Colombia and how communities in Chocó are preserving hope and dignity in the face of a humanitarian crisis.
11th November 2019
The principle of self-government of provinces is at the heart of the concept of 'Federation', and ‘The grassroots’ is for many, an inherently leftist, liberal construct. Yet as Andrea Gibbons shows, the white supremacists who shaped the growth of Los Angeles force us to reassess out assumptions over the innate virtues of ‘participation’ .
Agatha Christie’s ‘The Hollow’ by Owen Dudley Edwards