Commentary

20th October 2022

FLAUNTING SZAFKI
by
JOHNNY RODGER

Born and raised in Glasgow, the only child of a Russian emigre, painter Yusef Szafki was much influenced by literature in his visual artwork. In an endlessly creative life, he published two literary works, including one on engaging with the Russian/Ukrainian writer Nikolai Gogol (60’ N (1996) ). Arguably the bold dreamlike, exaggerated style of Szafki’s work is influenced heavily by Gogol’s character, and his writing in such famous stories as ‘Diary of a Madman’ and ‘The Nose’. Johnny Rodger reviews this retrospective as the first exhibition to attempt a survey across his life’s work, and appreciates Szafki's experimentation and his ever-developing concerns with form, tone and texture.
11th October 2022

AFTER HENRY’S… Not Quite Greenwich Village
by
NEIL COOPER

An addition to our 'Lost Institutions' series, Neil Cooper sings the praise of a much missed music venue - Henry's Cellar Bar. But is it really lost -is that the way it works with the subculture -does it ever get stuck on one place? Is Utopia a material, or a performance, or ...?
11th October 2022

THE QUIET REVOLUTION
by
BURKE and McLEAN

'What did you do, dad, on the 19th of September 2022?' -The People of South Lanarkshire did not rest on that day - Burke and McLean (not Edmund and John, but Raymond and Richard) egged them on to the respectful end, while the Queen of England was laid to rest.
5th July 2022

JOBS FOR THE BOYS:
‘Boys from the Blackstuff’ 40 years on
Neil Cooper

BBC4 will be showing Alan Bleasdale's Liverpool-set 1980's series Boys from the Blackstuff starting Wednesday July 6th. It's an important anniversary of the work -but why and how did Liverpool theatre, film and TV become an almost institutionalised lingua franca for British working class expression and struggle from the 1980s on? What is it about the culture of that city that made it such a working class touchstone? Neil Cooper looks into the Merseyside context of Bleasdale's writing and gives us a fully researched and detailed examination of the history and legacy of the great work done.
18th June 2022

INSTITUTION
by
Owen Dudley Edwards

What is the constitution of an institution? Who decides in and for an institution? What happens when an institution rejects us, or when we destroy an institution? Owen Dudley Edwards meditates ...
3rd June 2022

The ARCHES THEATRE:
The Unauthorised Autobiography
edited and introduced by Raymond Burke
reviewed by FOLOSA MELVILLE

The first book published in our 'Lost Institutions' series, it focuses on the early years of the legendary Glasgow theatre in the words of the actors who made it happen, collected and introduced by Raymond Burke. It was part of a thrilling scene says Folosa Melville in review.
3rd June 2022

GLASGOW COOL OF ART: 13 books of fire at the Mackintosh Library by Johnny Rodger reviewed by MURDO MACDONALD

A new book 'Glasgow Cool of Art: 13 books of fire at the Mackintosh Library' takes a personal, artistic, intellectual and critical view of the two fires in Mackintosh's masterwork. It attempts to square the trauma that the fires caused by looking at the effect on a wide range of people -adults, children, citizens, academics, artists, architects, and as Murdo Macdonald notes in review, addresses the challenge of the international worth or otherwise of that great building.
22nd April 2022

POSTING MAY DAY: The story of International Workers’ Day through Trade Union Posters by LORNA MILLER

The Story of May Day as the celebration of International Workers Day, and specifically the organisation of the Glasgow May Day festivities over the last few years, is told by artist and political cartoonist Lorna Miller in a wonderful insight into her work in creation of posters for Glasgow Trades Council.
13th April 2022

BoJo – Falstaff – Bunter:
or A Greater Englishness?
by Owen Dudley Edwards

Bunteresque? Falstaffian? BoJo-vian? England always gets the best. Owen Dudley Edwards on the rich history of greedy liars in English political and cultural life - Enlisting the critique of George Orwell, PG Wodehouse and fellow Irishman George Bernard Shaw along the way.