Conflict

29th July 2023

TRANSMISSIONS FOR UKRAINE
by
Michail Mersinis

What can an artist do when faced with another war? Engage as a war artist ... that is, stand by and reveal the horror? But surely, art always challenges the neutral? Artists make things that engage with ideas and situations. Michail Mersinis proposes a repurposing of the instruments of war to make sensitive participatory gestures that constitute a respite from the language of war and hate. The tragedy is happening in Ukraine now -but is it even possible to act innocently?
22nd October 2021

Why Afghanistan?
by
Owen Dudley Edwards

The absurdities of the American War in Afghanistan -backed by their allies- are exposed here by Owen Dudley Edwards. As another view of the tragedy it is heartbreaking in its farcical detail, and recounts a sorry tale which, despite withdrawal of US and allied troops, is far from over for the people of the region.
10th October 2021

A Requiem for Afghan Dreams
by
Muhammad Idrees Ahmad

Bombarded with multiple narratives on the ongoing tragedy of Afghanistan it's easy to see why many people might shrug and turn away leaving it as a dangerous and desperate void of suffering... 'The US have learnt nothing' writes Muhammad Idrees Ahmad, and does the world a huge service by getting to the heart of the complex Afghan matter with concision, clear-sightedness and neutrality
11th September 2021

RECOVER – SARAJEVO 25 Years On by Chris Leslie

Chris Leslie has spent 25 years documenting Sarajevo. He has followed the changes in that city through the post war period and engaged on many levels with the legacy of conflict. His latest work asks how the city stages its recovery and how we can know it as that city in recovery. What shapes our approaches to it now, and what does it tell us?
14th January 2021

All you need to know :
Election and Insurrection in the USA
by Owen Dudley Edwards

January 6th, Epiphany in the Christian calendar, is most commonly marked here by the taking down of the pagan midwinter decorations. This year, on the day that gifts were brought from the east for the baby Jesus, some strange kings and magicians visited the home of the American Republic. Owen Dudley Edwards tells us all we need to know, and more, about that 2020 election, and then, the Epiphany at the Capitol.
16th December 2020

Australian War Crimes : The Importance of Holding Oneself to Account 75 years after Nuremberg by Shannon Maree Torrens

The Brereton Report, commonly named so after the leader of investigations, NSW Supreme Court Judge Paul Brereton, was published in November 2020, seventy-five years after the Nuremberg Trials began. The Report found evidence of war crimes committed by the Australian Defence Force troops in Afghanistan between 2009-13. Shannon Maree Torrens discusses the situation in Australia. In an age where 'sovereignty' is much discussed (and much superficially in Brexit) this piece shows us something of where the life and death issues of the question really lie.
7th June 2020

On Peoples’ Palaces
by Hailey Maxwell

Having quietly endured almost twenty years of managed decline, writes Hailey Maxwell, it is crucial that we consider the possibility that the Peoples’ Palace on Glasgow Green – a valuable civic asset and monument to Scottish history and working-class life may presently be at real risk of being neutralised, misappropriated and entirely co-opted into a neoliberal agenda. Spaces and places which were once public are being repurposed and reimagined not for the benefit of the citizen but for the property developer, the multi-national corporation and the tourist.
15th May 2020

Objective Events: Ian Hamilton Finlay, the Arts Councils, and the Battle as art and work.
by Greg Thomas

Artist and poet Ian Hamilton Finlay (1925-2006) was a man of many contradictions: a writer of words and a conceiver of objects, a collaborator and a fighter. Acutely conscious of the presence of history, he was witty and urbane, yet lived in rural isolation, making a barren Scots hillside into a garden and invoking his revolutionary heroes there. Greg Thomas examines his performative relations with the functionaries of the art world, and assesses the ethical worth and creative achievements Finlay worked into those bureaucratic processes apparently so devoid of artistic potential.
18th April 2020

A Pandemic, Conflict and Options for Justice for Victims of the Syrian Conflict
by Shannon Maree Torrens

In the teeth of the Coronavirus pandemic, politicians and pundits insist that ‘we’re all in it together’. Yet as deaths climb, it is all too clear that equality in infection does not translate to equality in recovery. In this clear-eyed report by Human Rights researcher and advocate Shannon Torrens, we look to Syria, where this dynamic is set to play out on a truly awful scale.