Drouth Weekly

16th August 2025

UNSUNG at the British Art Fair by Jessica Wood

Not so much a Salon des Refuses or a Rogues Gallery as the unsung heroes who made the scene what it was? Jessica Wood previews and examines the work in the Unsung exhibition to be held at the British Art Fair 2025, and attempts to understand and rationalise why these artists may have remained outside the limelight.
6th August 2025

Scotland’s Yesterday – an IRISH Production: Irish Pages reviewed by Owen Dudley Edwards

Scotland's greatest living Irish Historian on an Irish publication of Scottish writers on the state of Scotland. Owen Dudley Edwards casts a critical eye over the recently published Irish Pages Scotland issue.
18th July 2025

TENDING AN OLIVE TREE by Michael Mersinis

An exploration of the entanglement of art, ecology, and geopolitical violence through the translocation of a Palestinian olive tree sapling to a Scottish gallery space. Drawing on many sources including Aristophanes’ Peace, Michael Mersinis positions the olive tree sapling not as an object of aesthetic contemplation, but as a living, contested agent that disrupts dominant narratives of peace and belonging.
18th July 2025

RAIN, STEAM AND SPEED by Huddled McMasses

The American founding fathers took classical Rome as the model for their new Republic. Huddled McMasses examines the development of that story in a tale of two films with classical, particularly Roman, avatars - Gladiator I and II. He sees American popular culture as a mirror held up to the current drift to greater authoritarianism and more rigid patriarchical political structures.
11th May 2025

ANALOGUES OF McEWAN by Johnny Rodger

The recent opening of the exhibition of drawings 'Tracing Rossi' at the Stallan Brand studio gallery in Glasgow offered an opportunity to examine author Cameron McEwan's in-depth published study of the influential architect Aldo Rossi. Via discussion of a relatively obscure and neglected project by Rossi, the book 'Analogical City' makes weighty claims for architecture as a poetic, political and above all, critical practice. Johnny Rodger reviews.
19th April 2025

STREET CLUTTER by Maria Burke

I am a walker – I love walking. I love the freedom of roaming around, being curious, looking for often-missed details. I walk on mycommute to work; I walk to get my steps in; I walk to take photographs for content for my Twitter and Instagram pages; I walk out of necessity because inner-city parking is too costly and too stressful and public transport is increasingly getting more expensive. I am a proud pedestrian.
12th January 2025

LAND IN THE BALANCE by Johnny Rodger

It sometimes seems that never enough has been made of Scotland's presence - the Scottish Pavilion - at the Venice Biennale. The 2023 architecture exhibition (- hopefully not the last Scottish one ever, as 2024 was cancelled) was an exploration of the connection between architecture and language on a traumatised land. A Fragile Correspondence was curated by Architecture Fringe, -ism Magazine and /other, and is now showing at the V&A in Dundee. Johnny Rodger reviews.
21st December 2024

THE REMAKING OF THE PRESIDENT 2024: A Study in Acting by Owen Dudley Edwards

As an historian of American politics, who followed John F Kennedy round the USA on his election campaign in the 60s, is there a writer with a longer view of the Presidency than Irishman Owen Dudley Edwards? - It takes a bit of wit too, to be wider than the current President-Elect. Here is the perennial Edwards, as always, delivering more - as Marx said of Lincoln - than he promised.
13th December 2024

MAUD SULTER’S ‘You are my Kindred Spirit’ by Federica Giardino

Scottish artist Maud Sulter (1960-2008) worked in multi-media as a photographer, filmmaker, poet, playwright and visual artist. Born of Scottish and Ghanaian parentage, she was raised in the Gorbals in Glasgow by her Scottish mother, and much of her work - including that now on show at the Tramway - is an exploration of of her sexuality, gender and identity as a black woman. Federica Giardino reviews the show and ponders on the cultural richness and the 'poignant questions' her work highlights.