note
22nd October 2023
First in a scheduled triptych of albums, composer Claire M Singer's Saor, will be released digitally and on CD by Touch on 3rd November. Neil Cooper talks to her about her composing and playing career in, and her love for organs and organ music.
14th October 2023
In all campaigns and struggles with authorities it is important that the process is documented and made accessible so that lessons can be learned. This is no mere footnote to the struggle of the Wyndford Residents Union to save their homes from the wrecking ball. They commissioned Fraser/Livingstone Architects to produce a Report on the condition of the estate to respond to those reports produced by the authorities. We're delighted to reproduce that Report here with an introduction/preface by Malcolm Fraser.
7th October 2023
'Things in process ... objects out of place and time.' Frances Lightbound's exhibition Tectonics at the John David Mooney Foundation in Chicago, reconfigures and re-enacts the languages of architectonics and manages to refuse the colonial configurations of power and brute strength in structural materials and components. Pia Singh reviews and finds a striking refinement in these rare and enigmatic arrangements.
29th September 2023
For Greg Thomas, the music in Kim Moore's new release with Blackford Hill is at once a physical thing which moves, an image, and a word provoking profound affect. There is something 'urgent' here, he writes.
29th September 2023
Music to galvanise and control: a sonic authoritarianism? Louise Rodgers examines how powerful groups, institutions and individuals throughout history have hitched music to their social programmes.
LAOCOON AND LOSS
by
Murdo Macdonald