Drouth Weekly

20th September 2020

THERE/NOT THERE
Batman, and other Unilateral Americans
by Mitch Miller

As conservative interests look set to capture its Supreme Court, cities convulse in class and racial conflict and the skies burn along the west coast, the American horizon has never looked darker. Should we Seek an American hero to save US? According to Tom King’s recent take on the the ever-popular Batman, probably best if we didn’t.
28th August 2020

PLAGUE
Albert Camus’ La Peste (1947)
by Owen Dudley Edwards

Clarity on the plague -on all plagues upon us! Owen Dudley Edwards reads the words of 'La Peste', looks at the history, and judges this as medical fiction, which might help our honesty with medical facts.
21st August 2020

A Monumental Servitude: reflections on the objects of the capitalist city
by Hussein Mitha

Abolish restaurants, statues, bars, mirrors and painting -the lot? The bourgeois desire to be served is inescapable in our urban contexts which consolidated in the 19th century city - the ideological hothouse of capitalist modernity. Hussein Mitha reflects on the glut of materials crowding the urban consumer.
14th August 2020

The Hollow Victory over Losers
by Johnny Rodger

Walter Benjamin's work is said to have much influence over contemporary thought. What has been the quality of that influence? And what could he possibly have to say about current winners and losers? Johnny Rodger looks at Benjamin in the context of some more recent work by Ahmed, Butler, Preciado and others.
7th August 2020

The map is not to blame
by Marlies Vermeulen and Remy Kroese (Dear Hunter)

Dear Hunter are designers, map makers and ‘cartopologists’ who engage with the supposedly empty spaces of borderlands, ex industrial landscapes and wherever their blend of art, architecture and anthropology is most needed. Reaching into both past and future, their distinctive practice shows how the map is never more powerful or effective than when treated as a verb.
24th July 2020

Agatha Christie’s ‘The Hollow’
by Owen Dudley Edwards

Agatha Christie wrote The Hollow at the height of her powers, writes Owen Dudley Edwards. Some rich digging through this novel and across all her writing reveals a Christie continually working through the disappointment, heartbreak and suffering of her personal life via the cute and beguiling morals of the whodunnit.
16th July 2020

Metaphor as Parasite:
on ecologies of love, language and disease
by Daisy Lafarge

Too complex to be just romance, too full of personal feeling to be only philosophy, Daisy Lafarge’s Metaphor is a peerlessly accomplished take on love in literary and biological history, gripped with a social scientist’s certainty and the passion of a votary. As an extract from a longer work-in-progress, Lovebug, due to be published in the near future, it was written prior to the global pandemic, so was not intended as a comment or an analysis on current events and all resonance therewith, happy or otherwise, is entirely fortuitous.
9th July 2020

Imagination in the Contemporary Society of the Spectacle by Jacob Lund

We are currently witnessing some fundamental changes in the conditions and the status of images: More and more images are networked; cameras and screens (portable or fixed) are everywhere; image data is geotagged; databases can be navigated in real-time; the prevalence of the phenomena of operative images and "machine vision" detached from human control and sense-perception rapidly increases, etc.
7th June 2020

On Peoples’ Palaces
by Hailey Maxwell

Having quietly endured almost twenty years of managed decline, writes Hailey Maxwell, it is crucial that we consider the possibility that the Peoples’ Palace on Glasgow Green – a valuable civic asset and monument to Scottish history and working-class life may presently be at real risk of being neutralised, misappropriated and entirely co-opted into a neoliberal agenda. Spaces and places which were once public are being repurposed and reimagined not for the benefit of the citizen but for the property developer, the multi-national corporation and the tourist.