What happens when a cataclysm brings about the loss of a city's populations and of its historic buildings and neighbourhoods? Can they be rebuilt in reality, or refound in fragments of memory, in art, in history, in literature in documentation? There is something strangely unsettling about reproductions of historical realities, and the relationship of disappeared history to current day realities. Pippa Goldschmidt examines the case with the help of Freud's notion of the Uncanny.
Borders in Borderland: Scottish frontiers as makers and markers of national and urban identityby Giovanna Guidicini