Frances Scott's new book of her photographic journey round her native Orkney, 'Undertow,' was launched in February in the Pier Art Centre Stromness, and in March at Streetlevel Gallery in Glasgow.
If photography is the temporal art of the gaze, what is its condition at the edge, or the limit of space? What bonds, what risk of naming can secure it from being drawn off in the 'undertow'? Frances Scott walks the native territory.
Undertow by Frances Scott