Johnny Rodger
12th January 2025
It sometimes seems that never enough has been made of Scotland's presence - the Scottish Pavilion - at the Venice Biennale. The 2023 architecture exhibition (- hopefully not the last Scottish one ever, as 2024 was cancelled) was an exploration of the connection between architecture and language on a traumatised land. A Fragile Correspondence was curated by Architecture Fringe, -ism Magazine and /other, and is now showing at the V&A in Dundee. Johnny Rodger reviews.
29th October 2024
Dutch artist Jonas Staal's new book on the pending Climate Catastrophe continues his concerns about propaganda - the good and the bad of it; reveals who are the culprits planning to exploit and profit from it and what the rest of us can do about it. Johnny Rodger reviews and puts it in the context of Staal's broad politically-committed artistic oeuvre.
1st September 2024
The film Orlando: My Political Biography only went into cinemas in general release here this summer, so, although it was first shown at the EIFF in August 2023, it seems to be up for discussion again. The gender issue(s) is/are, indeed, still way up on the social agenda - as Johnny Rodger puts it, 'We are all on our social stages ... all in our social cages'. Preciado's openly self-constructed cage is a particularly intricate one, and he inhabits it with his own peculiar and provocative panache.
27th January 2023
Who was Tom Nairn? One of the great political thinkers of his age, we mark his passing away with an introduction to his thought. This piece is excerpted from Tartan Pimps, a 2010 book by Mitch Miller and Johnny Rodger, which examined how the new Scottish politics were written into being. Some of the parliamentary politics here have aged a bit -Nairn's thought has not.
20th October 2022
Born and raised in Glasgow, the only child of a Russian emigre, painter Yusef Szafki was much influenced by literature in his visual artwork. In an endlessly creative life, he published two literary works, including one on engaging with the Russian/Ukrainian writer Nikolai Gogol (60’ N (1996) ). Arguably the bold dreamlike, exaggerated style of Szafki’s work is influenced heavily by Gogol’s character, and his writing in such famous stories as ‘Diary of a Madman’ and ‘The Nose’. Johnny Rodger reviews this retrospective as the first exhibition to attempt a survey across his life’s work, and appreciates Szafki's experimentation and his ever-developing concerns with form, tone and texture.
5th July 2021
Can climate change be discussed in isolation from racism? From slavery? Can it be discussed in isolation from anything? Johnny Rodger reviews the art work/film by Ferreira da Silva and Neuman commissioned for the Glasgow International Festival.
2nd June 2021
Ewan Gibbs' book 'Coal Country' claims to be the first full length study of deindustrialisation in the Scottish coalfields. But its scope is actually much broader and much more ambitious in its treatment of an age of massive social upheaval. Johnny Rodger reviews and appreciates that ambition.
14th August 2020
Walter Benjamin's work is said to have much influence over contemporary thought. What has been the quality of that influence? And what could he possibly have to say about current winners and losers? Johnny Rodger looks at Benjamin in the context of some more recent work by Ahmed, Butler, Preciado and others.
TOM NAIRN: THE WORK reviews by Mitch Miller & Johnny Rodger