Johnny Rodger

1st September 2024

HE is Paul and she IS Orlando:
review of Paul Preciado’s ‘Orlando’
by Johnny Rodger

The film Orlando: My Political Biography only went into cinemas in general release here this summer, so, although it was first shown at the EIFF in August 2023, it seems to be up for discussion again. The gender issue(s) is/are, indeed, still way up on the social agenda - as Johnny Rodger puts it, 'We are all on our social stages ... all in our social cages'. Preciado's openly self-constructed cage is a particularly intricate one, and he inhabits it with his own peculiar and provocative panache.
27th January 2023

TOM NAIRN: THE WORK reviews by Mitch Miller & Johnny Rodger

Who was Tom Nairn? One of the great political thinkers of his age, we mark his passing away with an introductory examination of his work - almost a Nairn For Beginners. These reviews/summaries of some of his most important works are excerpted from Tartan Pimps, a 2010 book by Mitch Miller and Johnny Rodger, which examined how the new Scottish politics were written into being.
27th January 2023

AN INTRODUCTION TO TOM NAIRN The Enchanted Nat by Mitch Miller & Johnny Rodger

Who was Tom Nairn? One of the great political thinkers of his age, we mark his passing away with an introduction to his thought. This piece is excerpted from Tartan Pimps, a 2010 book by Mitch Miller and Johnny Rodger, which examined how the new Scottish politics were written into being. Some of the parliamentary politics here have aged a bit -Nairn's thought has not.
20th October 2022

FLAUNTING SZAFKI
by
JOHNNY RODGER

Born and raised in Glasgow, the only child of a Russian emigre, painter Yusef Szafki was much influenced by literature in his visual artwork. In an endlessly creative life, he published two literary works, including one on engaging with the Russian/Ukrainian writer Nikolai Gogol (60’ N (1996) ). Arguably the bold dreamlike, exaggerated style of Szafki’s work is influenced heavily by Gogol’s character, and his writing in such famous stories as ‘Diary of a Madman’ and ‘The Nose’. Johnny Rodger reviews this retrospective as the first exhibition to attempt a survey across his life’s work, and appreciates Szafki's experimentation and his ever-developing concerns with form, tone and texture.
5th July 2021

SUGAR AND SOOT & ALL THINGS MOOT :
Denise Ferreira da Silva & Arjuna Neuman @ CCA
by Johnny Rodger

Can climate change be discussed in isolation from racism? From slavery? Can it be discussed in isolation from anything? Johnny Rodger reviews the art work/film by Ferreira da Silva and Neuman commissioned for the Glasgow International Festival.
2nd June 2021

Mining the Moral Economy:
Ewan Gibbs on Coal and Deindustrialisation
by Johnny Rodger

Ewan Gibbs' book 'Coal Country' claims to be the first full length study of deindustrialisation in the Scottish coalfields. But its scope is actually much broader and much more ambitious in its treatment of an age of massive social upheaval. Johnny Rodger reviews and appreciates that ambition.
14th August 2020

The Hollow Victory over Losers
by Johnny Rodger

Walter Benjamin's work is said to have much influence over contemporary thought. What has been the quality of that influence? And what could he possibly have to say about current winners and losers? Johnny Rodger looks at Benjamin in the context of some more recent work by Ahmed, Butler, Preciado and others.
25th May 2020

Judith Butler’s ‘The Force of Nonviolence’ by Johnny Rodger

How long will the patriarchy last? -How long have you got? The universal quality of Butler's work demands, ironically, that you find it, not as some pristine, independent, already perfected example, but as situated in the relational context of, and with all the potential of, your own local world.
1st May 2020

NO ALTERNATIVE or NEVER THE SAME AGAIN?
by Johnny Rodger

Some apparent tendencies and possibilities in political thinking have already emerged in the pandemic situation –as seen by current commentators in blogs, opinion columns etc – can they be viewed a broader political and historical context yet?