Mitch Miller

27th January 2023

TOM NAIRN: THE WORK reviews by Mitch Miller & Johnny Rodger

Who was Tom Nairn? One of the great political thinkers of his age, we mark his passing away with an introductory examination of his work - almost a Nairn For Beginners. These reviews/summaries of some of his most important works are excerpted from Tartan Pimps, a 2010 book by Mitch Miller and Johnny Rodger, which examined how the new Scottish politics were written into being.
27th January 2023

AN INTRODUCTION TO TOM NAIRN The Enchanted Nat by Mitch Miller & Johnny Rodger

Who was Tom Nairn? One of the great political thinkers of his age, we mark his passing away with an introduction to his thought. This piece is excerpted from Tartan Pimps, a 2010 book by Mitch Miller and Johnny Rodger, which examined how the new Scottish politics were written into being. Some of the parliamentary politics here have aged a bit -Nairn's thought has not.
20th September 2020

THERE/NOT THERE
Batman, and other Unilateral Americans
by Mitch Miller

As conservative interests look set to capture its Supreme Court, cities convulse in class and racial conflict and the skies burn along the west coast, the American horizon has never looked darker. Should we Seek an American hero to save US? According to Tom King’s recent take on the the ever-popular Batman, probably best if we didn’t.
29th October 2019

UNATTRACTIVE CREATURES: A Field Study of Michael Gove, Boswell and other migratory scavengers.

From The Drouth Issue 60 I make no doubt, Sir, but you consider me as your very good friend; although some people – and those, too, not destitute of wisdom – will […]
16th October 2019

Collage Before Cubism Exhibition

Now entering its final weeks (ending 27th October) the Cut and Paste Exhibition at Scottish National Gallery of Modern Art is a must-see. Its generous, inclusive take on collage extends […]
9th October 2019

CONTEMPORARY GRAPHIC – Panels from a Museum of Narrative

A typical definition of the concept ‘Artistic License’ would outline the notion that the artist may be perceived as having freedom to distort some aspect of their subject in order to bring attention to, criticise, or satirize it...
31st July 2019

The Favourite

Marketed as a burlesque comedy, Yorgos Lanthimos‘ The Favourite is in truth, far more textured and melancholic than its trailer might suggest. With echoes of Bill Douglas’ Comrades and Kubrick’s […]
23rd July 2019

FROTH (IN DEFENCE/DEFIANCE OF…)

The woman with the pink velvet poppies twined around the assisted gold of her hair traversed the crowded room at an interesting gait combining a skip with a sidle, and […]