Authors
14th February 2020
Hailed as a significant technical achievement, Owen Dudley Edwards sees the film 1917 as a great humanising agent.
13th February 2020
The hybridiser needs history as a pantry of costumes, wrote Nietzsche, that hymnographer of the Will. What is artist Hardeep Pandhal cooking up for us at The Tramway?
6th February 2020
It’s a quarter millennium this year since the birth of THE Romantic hero, the Thunderer himself, Beethoven, who claimed to have taken ‘fate by the throat’ and would never ‘let it bend me completely to its will’. Iain Matheson picks his way through Beethoven’s will and his work.
31st January 2020
In a world proliferating in riches and injustice there seems, for the moment anyhow, little relief in the notion of generations. For Nietzsche the contract was a ‘memory of the will’, but there are other modes of control of future distribution of goods. The question here, for Agnieszka Kilian, with the last will, is who or what bequeaths, and what actually is the bequest?
19th December 2019
A pivotal figure in the intellectual and critical examination of Chinese Art, Carol Yinghua Lu writes about her research which reveals the complex sources, influences traditions and narratives which look […]
13th December 2019
The Coventry Biennial describes itself as the UK’s ‘social biennial’. More than any other biennale, the Coventry questions how the festival engages with the local community, and what relationship there […]
4th December 2019
Colin Kidd muses on relations (if any) between the near unanimity of the literary world and the actually existing historical world in his review of Scott Hames’s new book The Literary Politics […]
4th December 2019
Pascal Gielen once defined art ‘scenes’ as ‘the new factories in the economy of ideas’. The Glasgow art scene however, does sometimes seem more like an old stable for conjuring […]
Federalism – A Drouth Enquiry by Owen Dudley Edwards