A pivotal figure in the intellectual and critical examination of Chinese Art, Carol Yinghua Lu writes about her research which reveals the complex sources, influences traditions and narratives which look […]
The Coventry Biennial describes itself as the UK’s ‘social biennial’. More than any other biennale, the Coventry questions how the festival engages with the local community, and what relationship there […]
It seems appropriate to publish a long meditation on the nature and history of federalism on the day of a British election where Brexit is the pressing issue and the […]
Colin Kidd muses on relations (if any) between the near unanimity of the literary world and the actually existing historical world in his review of Scott Hames’s new book The Literary Politics […]
Pascal Gielen once defined art ‘scenes’ as ‘the new factories in the economy of ideas’. The Glasgow art scene however, does sometimes seem more like an old stable for conjuring […]
Dreams and Dramas :Law as Literature is the book to accompany the 2017 exhibition published by NGBK edited by Agnieszka Kilian in collaboration with Joerg Franzbecker and Jaro Varga. It examines […]
When Marc Augé wrote in The Future that ‘Every protest is a form of research’ he could have been describing the artwork(s) / protest / civil disobedience / celebration / sit-in that was […]
The principle of self-government of provinces is at the heart of the concept of 'Federation', and ‘The grassroots’ is for many, an inherently leftist, liberal construct. Yet as Andrea Gibbons shows, the white supremacists who shaped the growth of Los Angeles force us to reassess out assumptions over the innate virtues of ‘participation’ .