Scotland's greatest living Irish Historian on an Irish publication of Scottish writers on the state of Scotland. Owen Dudley Edwards casts a critical eye over the recently published Irish Pages Scotland issue.
An exploration of the entanglement of art, ecology, and geopolitical violence through the translocation of a Palestinian olive tree sapling to a Scottish gallery space. Drawing on many sources including Aristophanes’ Peace, Michael Mersinis positions the olive tree sapling not as an object of aesthetic contemplation, but as a living, contested agent that disrupts dominant narratives of peace and belonging.
The American founding fathers took classical Rome as the model for their new Republic. Huddled McMasses examines the development of that story in a tale of two films with classical, particularly Roman, avatars - Gladiator I and II. He sees American popular culture as a mirror held up to the current drift to greater authoritarianism and more rigid patriarchical political structures.
The recent opening of the exhibition of drawings 'Tracing Rossi' at the Stallan Brand studio gallery in Glasgow offered an opportunity to examine author Cameron McEwan's in-depth published study of the influential architect Aldo Rossi. Via discussion of a relatively obscure and neglected project by Rossi, the book 'Analogical City' makes weighty claims for architecture as a poetic, political and above all, critical practice. Johnny Rodger reviews.
I am a walker – I love walking. I love the freedom of roaming around, being curious, looking for often-missed details. I walk on mycommute to work; I walk to get my steps
in; I walk to take photographs for content for my Twitter and Instagram pages; I walk out of necessity because inner-city parking is too costly and too stressful and public transport is increasingly getting more expensive. I am a proud pedestrian.
A meditation on time in architecture by philosopher and architect Mark Rego. In this piece Rego examines the apparently paradoxical union in an art museum of a painter who rejected time, and an architect 'whose works are perhaps some of the most embodied in temporality.' Alvaro Siza's Museu de Arte Contemporanea in Chaves, Portugal to house the works of Nadir Afonso.
Owen Dudley Edwards rewrites the understanding of genre and sees satire as a form of literary criticism. His knowledge of mid-twentieth century literature is both encyclopaedic and peculiar. Wodehouse, for example, is always an anomaly, but using his works as a handrail to guide us round the voids created by a current day fascist is weirdly novel.
It sometimes seems that never enough has been made of Scotland's presence - the Scottish Pavilion - at the Venice Biennale. The 2023 architecture exhibition (- hopefully not the last Scottish one ever, as 2024 was cancelled) was an exploration of the connection between architecture and language on a traumatised land. A Fragile Correspondence was curated by Architecture Fringe, -ism Magazine and /other, and is now showing at the V&A in Dundee. Johnny Rodger reviews.
As an historian of American politics, who followed John F Kennedy round the USA on his election campaign in the 60s, is there a writer with a longer view of the Presidency than Irishman Owen Dudley Edwards? - It takes a bit of wit too, to be wider than the current President-Elect. Here is the perennial Edwards, as always, delivering more - as Marx said of Lincoln - than he promised.