If the overlay and clash and contrast of instincts is a topographical question for Freud, then Murray Smith has it here as a graphical one. Smith's own instinct, however, is that the Baroque, in its heightened sensitivity to force, tension and unease, is the 3D paradigm for exposition of the ineffable mysteries of consciousness.
Australian War Crimes : The Importance of Holding Oneself to Account 75 years after Nuremberg by Shannon Maree Torrens