Nights when people, places and stars align to create an unforgettable experience very rarely happen. A few weeks ago I attended a unique event in The Revelator in the historic Barclay Curle Shipyard. In this extraordinary space – a handmade Wall of Death – I watched a live gig from the band The Tenementals and listened to a rectoral speech from RMT General Secretary Mick Lynch. Nights like this are never to be repeated.
Is 'dwelling' always an invasion of some type? In the stoical approach, which is the inescapable ethos of our contemporary of the ecological and the sustainable, it seems so, yes. Here, in appropriately ossianic mode for these end-of-times, a paratactical Murdo Macdonald muses on the hybrid in Chicago.
The City of Glasgow bought Salvador Dalí's 'Christ of St. John of The Cross' for its Museums and Galleries collection in 1952. A high profile and controversial purchase, the painting has been attacked and seriously damaged on at least two occasions by visitors to the Kelvingrove Art Gallery. Where did Dalí get the idea for the work and what were the methodologies of his execution of it? Dmitriy Soliterman investigates.
From the sophistry of the Saorstat to the solecism of Saor Alba - what, if any, are the parallels between Irish Revolutionary relations with the UK, and the relations between the current crop of Scottish and UK politicians? Owen Dudley Edwards addresses an independent question.
Who was Tom Nairn? One of the great political thinkers of his age, we mark his passing away with an introductory examination of his work - almost a Nairn For Beginners. These reviews/summaries of some of his most important works are excerpted from Tartan Pimps, a 2010 book by Mitch Miller and Johnny Rodger, which examined how the new Scottish politics were written into being.
Who was Tom Nairn? One of the great political thinkers of his age, we mark his passing away with an introduction to his thought. This piece is excerpted from Tartan Pimps, a 2010 book by Mitch Miller and Johnny Rodger, which examined how the new Scottish politics were written into being. Some of the parliamentary politics here have aged a bit -Nairn's thought has not.
Billed as 'groundbreaking', the Edinburgh City Art Centre exhibition, Glean - curated by Jenny Brownrigg - gathers the work of 14 pioneering early 20th century women photographers and filmmakers. Sara Stevenson reviews it for The Drouth, and considers it an 'impressive achievement'.
A meditation on those places where you can learn to see things and make things, and mess around with materials and forms and colours, usually for no particular purpose other than what Murdo Macdonald calls here a 'true education'. What will come of it, what has become of it?
Has there been a new discovery of the social and civic aspects of song -its historic powers? What are the sources and its outcomes of such a movement? How did it start up, where does it happen, who takes part and where is it going? Neil Cooper went to see and listen to the NVC in Perth.