Film
26th March 2022
David Archibald’s essay on Peter McDougall’s play Just Another Saturday, published with thanks to BFI Video Publishing, also appears in the 60-page book accompanying the new 3-disc Blu-ray set, PLAY FOR TODAY – VOLUME 3, released by the BFI on 11 April. It can be pre-ordered now from the BFI Shop and other outlets. VOLUME 3 contains six plays including Just Another Saturday, Edna the Inebriate Woman and A Hole in Babylon
5th July 2021
Can climate change be discussed in isolation from racism? From slavery? Can it be discussed in isolation from anything? Johnny Rodger reviews the art work/film by Ferreira da Silva and Neuman commissioned for the Glasgow International Festival.
11th May 2021
On 17th May the British Film Institute (BFI) released a 3 Disc Blu-ray box set to celebrate fifty years since the first transmission of the BBC's 'Play for Today'. David Archibald has written an accompanying essay for the two Peter McDougall plays which appear in volume 2 of the set. Archibald's piece is a retrospective on a way of life and the art it produced -in special arrangement with the BFI we bring the essay to The Drouth readers' attention.
2nd January 2021
An epistolary transliteration of a performative dialogue on the possibility of building a non-fiction cinema for the memory of women (as political subjects) – and the role of male academics in that process. Originally presented at Universitat Rovira i Virgili, Catalunya by Núria Araüna Baro and David Archibald.
12th August 2020
There's been no shortage of big screen entertainment based on the Christian story - especially in the years immediately after 9/11 and the Anglo-American adventure in Iraq. What exactly is/was their appeal and what is the measure of their success? Are they just for the faithful and the fervent? David Robertson surveys the field.
5th March 2020
Bi Gan’s Long Day’s Journey Into Night, a massive 2018 box office success in China which confused the hell out of the date-night audience it was marketed towards, has finally limped its way over to a UK distracted by Parasite. Long Day’s mixes art house boredom with trashy noir tropes and 3D, single-take gimmickry, un-bottling a whole jumble of questions about how and why we watch long, ponderous movies when we could be watching something else.
4th September 2019
FOR SAMA is simply a film that everyone must see. You will weep over the bloody betrayal of the Syrian people’s hopes for freedom. It might sound like some cheap […]
16th August 2019
‘NOTHING LIKE BETHNAL GREEN’ The system of economic apartheid in London is often most apparent on public transport. If you take a bus from somewhere in the deep south east […]
THE GLEAN
review
by
Sara Stevenson