Geopolitics
12th January 2025
It sometimes seems that never enough has been made of Scotland's presence - the Scottish Pavilion - at the Venice Biennale. The 2023 architecture exhibition (- hopefully not the last Scottish one ever, as 2024 was cancelled) was an exploration of the connection between architecture and language on a traumatised land. A Fragile Correspondence was curated by Architecture Fringe, -ism Magazine and /other, and is now showing at the V&A in Dundee. Johnny Rodger reviews.
29th October 2024
Dutch artist Jonas Staal's new book on the pending Climate Catastrophe continues his concerns about propaganda - the good and the bad of it; reveals who are the culprits planning to exploit and profit from it and what the rest of us can do about it. Johnny Rodger reviews and puts it in the context of Staal's broad politically-committed artistic oeuvre.
8th June 2024
What has been the scope of bigotry, racism, oppression and prejudice? Owen Dudley Edwards telescopes a whole history of the entanglement of those evils with the struggle for freedom, justice and truth into a compassionate and humane reading (and most importantly, an Irish reading) of the cornering and silencing of Diane Abbott, who was the first ever black woman elected to the Westminster Parliament.
5th June 2024
A unexpected quality, at once refined, maverick and committed, is given to the the term polymath in the work of Pippa Goldschmidt. She has written as much about exploration of psychic space in Freud and Lacan as about the astrological and intergalactic type. In her wonderful new book Night Vision she writes about her formation as an astrophysicist, and her description and history of anti-colonial outer space exploration is a reassuringly politicised view of the physical universe, free of the usual Hollywood astro-fantasies.
13th February 2024
How does an artist use material and form to engage directly with all aspects, emotional personal social, political of the world around her? Artist Rupali Patil speaks to curator Agnieszka Kilian about the possibilities for instant and profound expression in drawing and printmaking.
29th July 2023
What can an artist do when faced with another war? Engage as a war artist ... that is, stand by and reveal the horror? But surely, art always challenges the neutral? Artists make things that engage with ideas and situations. Michail Mersinis proposes a repurposing of the instruments of war to make sensitive participatory gestures that constitute a respite from the language of war and hate. The tragedy is happening in Ukraine now -but is it even possible to act innocently?
31st January 2023
From the sophistry of the Saorstat to the solecism of Saor Alba - what, if any, are the parallels between Irish Revolutionary relations with the UK, and the relations between the current crop of Scottish and UK politicians? Owen Dudley Edwards addresses an independent question.
27th January 2023
Who was Tom Nairn? One of the great political thinkers of his age, we mark his passing away with an introductory examination of his work - almost a Nairn For Beginners. These reviews/summaries of some of his most important works are excerpted from Tartan Pimps, a 2010 book by Mitch Miller and Johnny Rodger, which examined how the new Scottish politics were written into being.
THE REMAKING OF THE PRESIDENT 2024: A Study in Acting by Owen Dudley Edwards