Glasgow

11th May 2021

The Greenock Industrial and the Greenock Pastoral in ‘Just A Boys’ Game’ and ‘The Elephants’ Graveyard’
by David Archibald

On 17th May the British Film Institute (BFI) released a 3 Disc Blu-ray box set to celebrate fifty years since the first transmission of the BBC's 'Play for Today'. David Archibald has written an accompanying essay for the two Peter McDougall plays which appear in volume 2 of the set. Archibald's piece is a retrospective on a way of life and the art it produced -in special arrangement with the BFI we bring the essay to The Drouth readers' attention.
7th June 2020

On Peoples’ Palaces
by Hailey Maxwell

Having quietly endured almost twenty years of managed decline, writes Hailey Maxwell, it is crucial that we consider the possibility that the Peoples’ Palace on Glasgow Green – a valuable civic asset and monument to Scottish history and working-class life may presently be at real risk of being neutralised, misappropriated and entirely co-opted into a neoliberal agenda. Spaces and places which were once public are being repurposed and reimagined not for the benefit of the citizen but for the property developer, the multi-national corporation and the tourist.
17th May 2020

Distantly Related: ‘Fieldwork’
at 42 Carlton Place
by Jamie Limond

42 Carlton Place has become known for its regular contributions to Glasgow International, its frequently historical-leaning painting shows implicitly questioning what it means to be ‘contemporary’ art. ‘Fieldwork’, the space’s GI 2020 presentation, has been rendered inaccessible due to recent events, but remains up and running remotely. Jamie Limond responds.
10th May 2020

While Absent
by Elizabeth Murphy
and Adrien Hester

On what would’ve been the last day of Glasgow International 2020, and in lieu of Teneu Radio, a radio play originally commissioned for and reflecting on the festival, Adrien Lester and Elizabeth Murphy reflect on the experience of absence, and the gaps left in the city as it’s in the process of reimagining itself.
21st March 2020

The Future of Notre Dame in Paris
by Clarisse Godard Desmarest

The tragic slowness of our reaction to the coronavirus and the putting of systematic safety measures in place has contrasted with the relatively swift and mature reaction of the French (and other nations) to this emergency. But is it a sign of a wider conservative and sclerotic inability to act that has taken hold of our society? How could we measure these things? Clarisse Godard Desmarest sets the ball rolling with a description of the terrible fires at both Notre Dame in Paris and Glasgow School of Art, and the reaction of the authorities in each case.
7th October 2019

Jasmina​ Cibic | An Atmosphere of Joyful Contemplation – CCA

Jasmina Cibic | An Atmosphere of Joyful Contemplation has to be one of the most powerfully expressive political artists working in Europe today.  How much she owes that to her origins […]
7th October 2019

Only With The Heart – David Pratt’s War Photography

From Derry to Kandahar and from Donetsk to Bogota, we have lived on a dangerous planet.It’s all too easy for us sheltered in our liberal west European oasis to forget […]
22nd August 2019

The Photography of Thomas Annan – Anne Lyden Talk

Why was it that in the nineteenth century for such a great percentage of the population it suddenly became no longer a privilege to live in the city (as opposed […]
16th August 2019

Expulsion by Larry Achiampong – on show at The Gallow Gate, Glasgow

‘NOTHING LIKE BETHNAL GREEN’ The system of economic apartheid in London is often most apparent on public transport. If you take a bus from somewhere in the deep south east […]