Identity

15th March 2022

UNWIELDY WASTE MATERIALS:
The work of Justin Carter & Onya McCausland
by Danny McNally

Originally commissioned for our Climate issue, in this article cultural geographer Danny McNally engages with, and explores the work of two artists who work in processes with special attachments to materials and the earth.
28th January 2022

POINTS IN THE AMBIENCE:
Travels with Archaeologists & Artists in Orkney
by
Susan Brind & Jim Harold, Alex Hale, Daniel Lee, Antonia Thomas

The document of a journey and one-day dérive from Happy Valley to Billia Croo. In a collaboration between Archaeologists and Artists across the landscape in Orkney, Susan Brind & Jim Harold, Alex Hale, Daniel Lee, Antonia Thomas reveal layers of data and perform a 'disappearance'.
21st January 2022

US OR THEM:
Kelman’s ‘The State is Your Enemy’
Reviewed by Federica Giardino

Three new books by James Kelman have just been published by PM Press of California. This must be an exciting time for both Kelman fans and for Kelman Studies. One new novel, one collection of essays, and and a philosophical debate between Kelman and Noam Chomsky -it's a lot to chew on. So The Drouth is delighted to be producing the first reviews of these new works. The final piece in our Kelman series is a review of his new collection of essays by researcher and writer Federica Giardino.
13th January 2022

Repointing the Brickwork:
The birth of the Arches PART II
intro by Raymond Burke

Our recent review of the new book on The Arches by Bratchpiece and Innes noted the great achievement of the work in showing how that institution was at the heart of a grassroots creativity in Glasgow. But before the internationally famed club came the prelude -the Theatre company that kept the Arches open and made it all possible. Raymond Burke has set the record right on this, collecting and introducing the story of the Arches Theatre through the words of the actors themselves. We publish in two parts: this is PART 2
6th January 2022

Repointing the Brickwork: The birth of the Arches Theatre
intro by Raymond Burke

Our recent review of the new book on The Arches by Bratchpiece and Innes noted the great achievement of the work in showing how that institution was at the heart of a grassroots creativity in Glasgow. But before the internationally famed club came the prelude -the Theatre company that kept the Arches open and made it all possible. Raymond Burke has set the record right on this, collecting and introducing the story of the Arches Theatre through the words of the actors themselves. We publish in two parts: here is PART 1- the story goes on.
6th November 2021

Glasgow, Clydeside’s Carbon Capital
by Ewan Gibbs

Was the Second City of Empire the First City of the carbon economy? Ewan Gibbs takes a tour through history and across civic space to show us the special sites of interest in 'Glasgow's role in the making of a fossil burning world'
3rd November 2021

‘Survival Tools of the Anthropocene’: Islandness and Resilience in Saoirse Higgins’ Pap-ØY-cene
by Antonia Thomas

How is the Anthropocene at sea/local level? And how can climate change be be felt, and dealt with through the time worn understandings and handlings of material in the oceanic zones? Reviewing Saoirse Higgins' show PapØycene at the Pier in Stromness, Antonia Thomas suggests that art and artists can open us to new perspectives - and that Higgins, in particular, sets a 'benchmark' here.
29th October 2021

Looking for Scottish Modern
by Dominic Hinde

Are some places more obviously adaptable and amenable to new environmental measures and regimes, and what are the economics and politics of some of the new necessities? Guest Editor for our Climate theme, Dominic Hinde, surfs the local modern to sample the global drift.
11th September 2021

RECOVER – SARAJEVO 25 Years On by Chris Leslie

Chris Leslie has spent 25 years documenting Sarajevo. He has followed the changes in that city through the post war period and engaged on many levels with the legacy of conflict. His latest work asks how the city stages its recovery and how we can know it as that city in recovery. What shapes our approaches to it now, and what does it tell us?