Land – The Drouth

14th January 2026

Published by TheDrouth

PowerShift: the real energy question by Indra Adnan and Pat Kane, Spring Consortium

The Spring Consortium propose powerful cohesive and holisitic steps across the board as THE way to confront locally the daily worsening global polycrisis which faces us in energy, sustainability rising fascism and revived imperialism and climate meltdown. The first big event is SATURDAY JANUARY 18TH at CELTIC CONNECTIONS in Glasgow - Get involved!

14th January 2026

Published by TheDrouth

PILGRIM SQUINTS: on the Camino de Santiago reviewed by Wattana Songpetchmongkol

Wattana Songpetchmongkol brings his extensive research on walking to bear on Johnny Rodger's new book, and asks why do we walk?.. and ... Is a walk ever entirely your own walk?

4th April 2025

Published by TheDrouth

A VISIT TO A MUSEUM WHERE TIME DOES NOT EXIST by Mark Rego

A meditation on time in architecture by philosopher and architect Mark Rego. In this piece Rego examines the apparently paradoxical union in an art museum of a painter who rejected time, and an architect 'whose works are perhaps some of the most embodied in temporality.' Alvaro Siza's Museu de Arte Contemporanea in Chaves, Portugal to house the works of Nadir Afonso.

12th January 2025

Published by TheDrouth

LAND IN THE BALANCE by Johnny Rodger

It sometimes seems that never enough has been made of Scotland's presence - the Scottish Pavilion - at the Venice Biennale. The 2023 architecture exhibition (- hopefully not the last Scottish one ever, as 2024 was cancelled) was an exploration of the connection between architecture and language on a traumatised land. A Fragile Correspondence was curated by Architecture Fringe, -ism Magazine and /other, and is now showing at the V&A in Dundee. Johnny Rodger reviews.

23rd January 2023

Published by TheDrouth

THE GLEAN review by Sara Stevenson

Billed as 'groundbreaking', the Edinburgh City Art Centre exhibition, Glean - curated by Jenny Brownrigg - gathers the work of 14 pioneering early 20th century women photographers and filmmakers. Sara Stevenson reviews it for The Drouth, and considers it an 'impressive achievement'.

3rd November 2021

Published by TheDrouth

‘Survival Tools of the Anthropocene’: Islandness and Resilience in Saoirse Higgins’ Pap-ØY-cene
by Antonia Thomas

How is the Anthropocene at sea/local level? And how can climate change be be felt, and dealt with through the time worn understandings and handlings of material in the oceanic zones? Reviewing Saoirse Higgins' show PapØycene at the Pier in Stromness, Antonia Thomas suggests that art and artists can open us to new perspectives - and that Higgins, in particular, sets a 'benchmark' here.

29th October 2021

Published by TheDrouth

No Abstract Notion: Survival
by Sophie Gerrard

The beautiful photographic documentation of 'environmental stories' by Sophie Gerrard allows us to pose questions about damage and care and recovery and the relationships between them.

30th September 2021

Published by TheDrouth

THOMAS JOSHUA COOPER :
‘The World’s Edge …’
by Dana Macfarlane

The Scotto-American photographer Thomas Joshua Cooper is a titan in his field. Dana Macfarlane reviews his new show, ‘The World’s Edge – The Atlas of Emptiness and Extremity’, at the Scottish National Portrait Gallery and discusses the tensions in the work which is 'unsettling' and 'subtly uncanny'.

5th July 2021

Published by Johnny Rodger

SUGAR AND SOOT & ALL THINGS MOOT :
Denise Ferreira da Silva & Arjuna Neuman @ CCA
by Johnny Rodger

Can climate change be discussed in isolation from racism? From slavery? Can it be discussed in isolation from anything? Johnny Rodger reviews the art work/film by Ferreira da Silva and Neuman commissioned for the Glasgow International Festival.