Land

9th January 2024

THE PARTISAN NECROPOLIS by Chris Leslie

Mostar’s Partisan Memorial Cemetery - The most significant anti-fascist architectural landmark in the former Yugoslavia has been neglected and left as a ruin for decades. Having survived the 1990s Bosnian war, the Partisan Memorial Cemetery in Mostar now faces its biggest threat – and possible disappearance – as neofascists are intent on destroying the necropolis and all it stands for....
30th March 2023

THE REVELATOR by Chris Leslie

Nights when people, places and stars align to create an unforgettable experience very rarely happen. A few weeks ago I attended a unique event in The Revelator in the historic Barclay Curle Shipyard. In this extraordinary space – a handmade Wall of Death – I watched a live gig from the band The Tenementals and listened to a rectoral speech from RMT General Secretary Mick Lynch. Nights like this are never to be repeated.
23rd January 2023

THE GLEAN review by Sara Stevenson

Billed as 'groundbreaking', the Edinburgh City Art Centre exhibition, Glean - curated by Jenny Brownrigg - gathers the work of 14 pioneering early 20th century women photographers and filmmakers. Sara Stevenson reviews it for The Drouth, and considers it an 'impressive achievement'.
3rd November 2021

‘Survival Tools of the Anthropocene’: Islandness and Resilience in Saoirse Higgins’ Pap-ØY-cene
by Antonia Thomas

How is the Anthropocene at sea/local level? And how can climate change be be felt, and dealt with through the time worn understandings and handlings of material in the oceanic zones? Reviewing Saoirse Higgins' show PapØycene at the Pier in Stromness, Antonia Thomas suggests that art and artists can open us to new perspectives - and that Higgins, in particular, sets a 'benchmark' here.
29th October 2021

No Abstract Notion: Survival
by Sophie Gerrard

The beautiful photographic documentation of 'environmental stories' by Sophie Gerrard allows us to pose questions about damage and care and recovery and the relationships between them.
30th September 2021

THOMAS JOSHUA COOPER :
‘The World’s Edge …’
by Dana Macfarlane

The Scotto-American photographer Thomas Joshua Cooper is a titan in his field. Dana Macfarlane reviews his new show, ‘The World’s Edge – The Atlas of Emptiness and Extremity’, at the Scottish National Portrait Gallery and discusses the tensions in the work which is 'unsettling' and 'subtly uncanny'.
5th July 2021

SUGAR AND SOOT & ALL THINGS MOOT :
Denise Ferreira da Silva & Arjuna Neuman @ CCA
by Johnny Rodger

Can climate change be discussed in isolation from racism? From slavery? Can it be discussed in isolation from anything? Johnny Rodger reviews the art work/film by Ferreira da Silva and Neuman commissioned for the Glasgow International Festival.
2nd June 2021

Mining the Moral Economy:
Ewan Gibbs on Coal and Deindustrialisation
by Johnny Rodger

Ewan Gibbs' book 'Coal Country' claims to be the first full length study of deindustrialisation in the Scottish coalfields. But its scope is actually much broader and much more ambitious in its treatment of an age of massive social upheaval. Johnny Rodger reviews and appreciates that ambition.
19th May 2021

Neighbouring in Deep Time:
Ilana Halperin in Yamaguchi
by Naoko Mabon

In advance of our own Neighbouring project (15-18 June @ GI), one of our Scottish Japanese collaborators, Naoko Mabon, writes here of the work of Scottish artist Ilana Halperin in Japan. Halperin's mineral investigations open us up to the urgency of our understanding of and identity with the geological in the age of Anthropocene.