Literature
25th May 2020
How long will the patriarchy last?
-How long have you got?
The universal quality of Butler's work demands, ironically, that you find it, not as some pristine, independent, already perfected example, but as situated in the relational context of, and with all the potential of, your own local world.
15th May 2020
Artist and poet Ian Hamilton Finlay (1925-2006) was a man of many contradictions: a writer of words and a conceiver of objects, a collaborator and a fighter. Acutely conscious of the presence of history, he was witty and urbane, yet lived in rural isolation, making a barren Scots hillside into a garden and invoking his revolutionary heroes there. Greg Thomas examines his performative relations with the functionaries of the art world, and assesses the ethical worth and creative achievements Finlay worked into those bureaucratic processes apparently so devoid of artistic potential.
20th April 2020
'I was born again but this time I knew it meant I was dead.'
7th April 2020
'It’s going to disappear. One day, it’s like a miracle, it will disappear...’
24th March 2020
When I took the apple from the horse’s mouth, I thought I knew it didn’t want me to speak. -Not the horse. And not that this is speaking, or for that matter, even knowing.
19th March 2020
The introduction to Benjamin’s Arcades Project, was written in 1938 but not published until long after his death. It is an attempt to categorically reveal how, through the apparent chaos and convulsions in 19th century Parisian culture and society, great explorations and exposés of the realities of the epoch and its ramifications for later generations, are afforded us by examination of the lives and works of its inhabitants.
14th March 2020
The man with the black horseshoe moustache had been allocated one of the breakfast tables that stood in a row against the glass panels. The hotel was so quiet this morning that all of its breakfasters were able to sit, as in fact they did sit, against the glass...
2nd March 2020
Taking inspiration from James Shapiro’s Contested Will Owen Dudley Edwards takes a wry look at the absurdist snobbery and the sheer daftness of the ‘who really wrote Shakespeare?’ tradition.
Metaphor as Parasite: on ecologies of love, language and disease by Daisy Lafarge