Poetry

2nd July 2023

FRAGMENTS OF OSSIAN
recast by
Murdo Macdonald

Everyone, like Samuel Johnson, has an opinion on Macpherson's Ossian, but few of us ever manage to get a hand on an actual copy of the works. Fortunately, Murdo Macdonald does the bibliographic work for us, and details the doggedness of his desultory browsings and subsequent musings which led to the composition of his own versions. (is there ever anything but versions to work through here?) So, this is the big chance to find out what it was about the versions of this poetry that set Europe aflame with romantic passion and melancholy, and, as Napoleon himself put it, 'Devour Ossian!'
12th March 2021

The Irish Frontier
by
Owen Dudley Edwards

Expansive and exclusive is the paradoxical mentality of the frontier from Trump's Wall to Offa's Dyke. Can anybody live on a non-existent border, and how have they done it? Owen Dudley Edwards looks deep into a line of no breadth
3rd March 2021

Between Atmosphere and Airlessness:
Daisy Lafarge’s ‘Life without Air’
Rochelle Roberts

In both Daisy Lafarge's poetry and prose -see her 'Metaphor as Parasite' in our Hollow issue - consciousness seems to float seamlessly in a fermentation of biology and minerology. Rochelle Roberts reviews her latest poetry collection here and finds it 'full of, and without air'.
23rd February 2021

‘Ní Rabhas ach Seal/ It was only a Matter of Time’ by Noah Rose

What, if anything, does the end of land, or of territory, have to do with the end of language? Is there ever an end of language, even of a particular speaking? Noah Rose is an artist working on the intersection between place and minority language.
15th May 2020

Objective Events: Ian Hamilton Finlay, the Arts Councils, and the Battle as art and work.
by Greg Thomas

Artist and poet Ian Hamilton Finlay (1925-2006) was a man of many contradictions: a writer of words and a conceiver of objects, a collaborator and a fighter. Acutely conscious of the presence of history, he was witty and urbane, yet lived in rural isolation, making a barren Scots hillside into a garden and invoking his revolutionary heroes there. Greg Thomas examines his performative relations with the functionaries of the art world, and assesses the ethical worth and creative achievements Finlay worked into those bureaucratic processes apparently so devoid of artistic potential.
10th November 2019

ON REFUSING TO SUCCUMB TO EVIL : TOMAS VENCLOVA

Lithuanian poet and one time Soviet dissident Tomas Venclova visited Scotland as part of Lithuanian Days in Scotland in October and compared experiences of Union in his home country and Scotland. As we celebrate 30 years since the collapse of the Berlin Wall this week, we review his memoirs of life as a poet behind the Iron Curtain....
1st May 2014

Jean Toomer’s “Reapers” and Robert Burns – Justin Mellette

One aspect of Scottish literature that has been receiving renewed attention is the widespread influence of Scottish writers within other cultures.  From its first publication, Jean Toomer’s novel Cane (1923) has been recognized […]