Scotland
24th April 2021
What would the introduction of control on the border between Scotland and England mean for those two jurisdictions? What would a politically independent Scotland's controlled borders mean for its relations with the rest of Europe? Giovanna Guidicini looks at the history of the frontier which set Scotland apart and marked out its national territorial integrity. How and why did it come about, and what were the Scots' and outsiders' reaction to it.
17th April 2021
The fever is high, but public engagement seems, as yet to lag... Scottish politics is running a factionalist temperature from the 'Manky Jaiket' so-called greens to the Alba blues. New parties have appeared suddenly in the fray and schisms, nastiness, invective, small hatreds and big ugly prejudices seem the order of the day. Owen Dudley Edwards attempts a dispassionate round-up, and counsels an end to self-harm.
9th April 2021
Lorna Miller’s incisive work for The Drouth here brilliantly demonstrates how the lightning-fast flare of phantasmagorical developments in Scottish politics at the minute can only be truly grasped and conceived of in its bizarre momentum through a visual medium.
9th November 2020
Can the kingdom still be united if there’s no unionism in the union? And was ‘Unionism’ simply the most charming and esoteric of checks and balances on the ‘union’? It may all seem abstruse now, but Scott Hames sees us hurtling through an absurdly persistent pragmaticism towards a constitutional car crash.
6th October 2020
John Latham's 'Niddrie Woman' : former shale bings, a massive piece of land art, a nature reserve, a monument to the achievements and sufferings of the people and the territory of the industrial revolution. A documentation by Murdo Macdonald.
18th July 2020
Powerful personality and polymath par excellence – Patrick Geddes has been plastered with so many labels that it sometimes seems that he’s all but disappeared from public perception. How should we rate Geddes and his work now? R J Morris puts the new critical work by Murdo MacDonald in context.
7th June 2020
Having quietly endured almost twenty years of managed decline, writes Hailey Maxwell, it is crucial that we consider the possibility that the Peoples’ Palace on Glasgow Green – a valuable civic asset and monument to Scottish history and working-class life may presently be at real risk of being neutralised, misappropriated and entirely co-opted into a neoliberal agenda. Spaces and places which were once public are being repurposed and reimagined not for the benefit of the citizen but for the property developer, the multi-national corporation and the tourist.
15th May 2020
Artist and poet Ian Hamilton Finlay (1925-2006) was a man of many contradictions: a writer of words and a conceiver of objects, a collaborator and a fighter. Acutely conscious of the presence of history, he was witty and urbane, yet lived in rural isolation, making a barren Scots hillside into a garden and invoking his revolutionary heroes there. Greg Thomas examines his performative relations with the functionaries of the art world, and assesses the ethical worth and creative achievements Finlay worked into those bureaucratic processes apparently so devoid of artistic potential.
The Greenock Industrial and the Greenock Pastoral in ‘Just A Boys’ Game’ and ‘The Elephants’ Graveyard’ by David Archibald