Theatre

11th October 2022

THE QUIET REVOLUTION
by
BURKE and McLEAN

'What did you do, dad, on the 19th of September 2022?' -The People of South Lanarkshire did not rest on that day - Burke and McLean (not Edmund and John, but Raymond and Richard) egged them on to the respectful end, while the Queen of England was laid to rest.
5th July 2022

JOBS FOR THE BOYS:
‘Boys from the Blackstuff’ 40 years on
Neil Cooper

BBC4 will be showing Alan Bleasdale's Liverpool-set 1980's series Boys from the Blackstuff starting Wednesday July 6th. It's an important anniversary of the work -but why and how did Liverpool theatre, film and TV become an almost institutionalised lingua franca for British working class expression and struggle from the 1980s on? What is it about the culture of that city that made it such a working class touchstone? Neil Cooper looks into the Merseyside context of Bleasdale's writing and gives us a fully researched and detailed examination of the history and legacy of the great work done.
3rd June 2022

The ARCHES THEATRE:
The Unauthorised Autobiography
edited and introduced by Raymond Burke
reviewed by FOLOSA MELVILLE

The first book published in our 'Lost Institutions' series, it focuses on the early years of the legendary Glasgow theatre in the words of the actors who made it happen, collected and introduced by Raymond Burke. It was part of a thrilling scene says Folosa Melville in review.
13th January 2022

Repointing the Brickwork:
The birth of the Arches PART II
intro by Raymond Burke

Our recent review of the new book on The Arches by Bratchpiece and Innes noted the great achievement of the work in showing how that institution was at the heart of a grassroots creativity in Glasgow. But before the internationally famed club came the prelude -the Theatre company that kept the Arches open and made it all possible. Raymond Burke has set the record right on this, collecting and introducing the story of the Arches Theatre through the words of the actors themselves. We publish in two parts: this is PART 2
6th January 2022

Repointing the Brickwork: The birth of the Arches Theatre
intro by Raymond Burke

Our recent review of the new book on The Arches by Bratchpiece and Innes noted the great achievement of the work in showing how that institution was at the heart of a grassroots creativity in Glasgow. But before the internationally famed club came the prelude -the Theatre company that kept the Arches open and made it all possible. Raymond Burke has set the record right on this, collecting and introducing the story of the Arches Theatre through the words of the actors themselves. We publish in two parts: here is PART 1- the story goes on.
26th October 2021

Underneath the Arches :
building the foundations to fail better
by Neil Cooper

The loss of The Arches as a site for the eruption of anarchic creative collaborations of a generation through all forms imaginable was a shock. Did the forces of conservatism conspire to finish it off in 2015... or maybe its work was done there, and the spirit needed to move on anyway? Neil Cooper's review of Innes and Bratchpiece's history of the venue is epic and elegaic: it deserves all that and even more ...
24th July 2020

Agatha Christie’s ‘The Hollow’
by Owen Dudley Edwards

Agatha Christie wrote The Hollow at the height of her powers, writes Owen Dudley Edwards. Some rich digging through this novel and across all her writing reveals a Christie continually working through the disappointment, heartbreak and suffering of her personal life via the cute and beguiling morals of the whodunnit.
29th May 2020

Recovering Reality: Fact-Checking the Traveller… (tether your scapegoat here…)
by Candace G. Thomas

In part two of her extended essay on the prejudices and stigma still faced by contemporary Travellers, Candace Thomas challenges the callousness both casual - and causal - of media and policy makers in a way very recently, proven to rattle those in power: checking the facts and recovering reality.
9th May 2020

Traveller crime – or a crime to Travellers?
by Candace G. Thomas

It's a story very familiar to anyone from a Traveller culture; with depressing familiarity sections of the British media dust off every shopsoiled prejudice and trope to demonise a culture already far off on the margins. But as researcher and activist Candace Thomas explains, Travellers are no longer inclined to suffer in silence.