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5th June 2024
A unexpected quality, at once refined, maverick and committed, is given to the the term polymath in the work of Pippa Goldschmidt. She has written as much about exploration of psychic space in Freud and Lacan as about the astrological and intergalactic type. In her wonderful new book Night Vision she writes about her formation as an astrophysicist, and her description and history of anti-colonial outer space exploration is a reassuringly politicised view of the physical universe, free of the usual Hollywood astro-fantasies.
14th June 2023
People get nervous about the very notion of data; some assume it can only be used in scientific, and business applications – is that at all a sustainable view in the digital age and the new world of AI? In her project ‘Bit Parts’, Elke Finkenauer shows us how data is the artist’s necessary friend, the work ‘focusses on human and creative, rather than technical, challenges to data: acknowledging subjectivity, working with idiosyncrasy, and keeping questions of means, as well as ends, alive.’
16th April 2023
The hutters at Carbeth dwell in the forest -when they can get there. They have a history: it's a green one and a working class one; it's one of urban folk in the countryside, and they're prepared to fight for it. Greg Thomas speaks to a couple who make and remake their stand in the forest.
12th January 2023
A meditation on those places where you can learn to see things and make things, and mess around with materials and forms and colours, usually for no particular purpose other than what Murdo Macdonald calls here a 'true education'. What will come of it, what has become of it?
24th July 2021
Too big to big up any further as a classroom poster or a one man stage show, Raymond Burke has finally compiled and published the book of the Metaphoric Table with The Drouth. -Can you not refuckingmember what Tmesis is? Do you go red red in the face when faced with Epizeuxis, or is it Anthimeria? -then this is the book to figure it out for you ...
TRANSMISSIONS FOR UKRAINE
by
Michail Mersinis