Visual Art

13th February 2024

COALITION OF WATERS:
On Wounded Bodies in Capitalistic Time
Rupali Patil & Agnieszka Kilian

How does an artist use material and form to engage directly with all aspects, emotional personal social, political of the world around her? Artist Rupali Patil speaks to curator Agnieszka Kilian about the possibilities for instant and profound expression in drawing and printmaking.
9th January 2024

THE PARTISAN NECROPOLIS by Chris Leslie

Mostar’s Partisan Memorial Cemetery - The most significant anti-fascist architectural landmark in the former Yugoslavia has been neglected and left as a ruin for decades. Having survived the 1990s Bosnian war, the Partisan Memorial Cemetery in Mostar now faces its biggest threat – and possible disappearance – as neofascists are intent on destroying the necropolis and all it stands for....
2nd November 2023

LAOCOON AND LOSS
by
Murdo Macdonald

From Classical Antiquity through Michelangelo to Verlaine, via Godard and Tarkovsky and an essay-load of other makers, Murdo Macdonald shows us how the whole gang of western clever clogs in turn feel the pain of Laocoon - for if art shows us anything it is this: that nothing exists for sure, except the torture of the knowledge that is so, and will be so forever.
7th October 2023

Frances Lightbound’s
TECTONICS
by
Pia Singh

'Things in process ... objects out of place and time.' Frances Lightbound's exhibition Tectonics at the John David Mooney Foundation in Chicago, reconfigures and re-enacts the languages of architectonics and manages to refuse the colonial configurations of power and brute strength in structural materials and components. Pia Singh reviews and finds a striking refinement in these rare and enigmatic arrangements.
9th July 2023

HOWSON’S INFERNO
by
GREG THOMAS

What cast of work is this, we might say of Peter Howson's new show at Edinburgh City Art Centre. He gives us a lot of matter to grapple with and a lot of things to ponder over. This is the first major retrospective of Howson's work with over 100 paintings over four floors. Arresting and compelling says Greg Thomas in review, and also grim and dark. Get along and make your own mind up is best.
14th June 2023

BIT PARTS by Elke Finkenauer

People get nervous about the very notion of data; some assume it can only be used in scientific, and business applications – is that at all a sustainable view in the digital age and the new world of AI? In her project ‘Bit Parts’, Elke Finkenauer shows us how data is the artist’s necessary friend, the work ‘focusses on human and creative, rather than technical, challenges to data: acknowledging subjectivity, working with idiosyncrasy, and keeping questions of means, as well as ends, alive.’
30th March 2023

THE REVELATOR by Chris Leslie

Nights when people, places and stars align to create an unforgettable experience very rarely happen. A few weeks ago I attended a unique event in The Revelator in the historic Barclay Curle Shipyard. In this extraordinary space – a handmade Wall of Death – I watched a live gig from the band The Tenementals and listened to a rectoral speech from RMT General Secretary Mick Lynch. Nights like this are never to be repeated.
10th February 2023

A TRIANGLE AND A CIRCLE:
the conception and execution of Dalí’s ‘Christ of St. John Of The Cross’ by Dmitriy Soliterman

The City of Glasgow bought Salvador Dalí's 'Christ of St. John of The Cross' for its Museums and Galleries collection in 1952. A high profile and controversial purchase, the painting has been attacked and seriously damaged on at least two occasions by visitors to the Kelvingrove Art Gallery. Where did Dalí get the idea for the work and what were the methodologies of his execution of it? Dmitriy Soliterman investigates.
23rd January 2023

THE GLEAN review by Sara Stevenson

Billed as 'groundbreaking', the Edinburgh City Art Centre exhibition, Glean - curated by Jenny Brownrigg - gathers the work of 14 pioneering early 20th century women photographers and filmmakers. Sara Stevenson reviews it for The Drouth, and considers it an 'impressive achievement'.