Visual Art

10th February 2023

A TRIANGLE AND A CIRCLE:
the conception and execution of Dalí’s
‘Christ of St. John Of The Cross’
by
Dmitriy Soliterman

The City of Glasgow bought Salvador Dalí's 'Christ of St. John of The Cross' for its Museums and Galleries collection in 1952. A high profile and controversial purchase, the painting has been attacked and seriously damaged on at least two occasions by visitors to the Kelvingrove Art Gallery. Where did Dalí get the idea for the work and what were the methodologies of his execution of it? Dmitriy Soliterman investigates.
23rd January 2023

THE GLEAN
review
by
Sara Stevenson

Billed as 'groundbreaking', the Edinburgh City Art Centre exhibition, Glean - curated by Jenny Brownrigg - gathers the work of 14 pioneering early 20th century women photographers and filmmakers. Sara Stevenson reviews it for The Drouth, and considers it an 'impressive achievement'.
12th January 2023

What Should an Art School be?
by
Murdo Macdonald

A meditation on those places where you can learn to see things and make things, and mess around with materials and forms and colours, usually for no particular purpose other than what Murdo Macdonald calls here a 'true education'. What will come of it, what has become of it?
20th October 2022

FLAUNTING SZAFKI
by
JOHNNY RODGER

Born and raised in Glasgow, the only child of a Russian emigre, painter Yusef Szafki was much influenced by literature in his visual artwork. In an endlessly creative life, he published two literary works, including one on engaging with the Russian/Ukrainian writer Nikolai Gogol (60’ N (1996) ). Arguably the bold dreamlike, exaggerated style of Szafki’s work is influenced heavily by Gogol’s character, and his writing in such famous stories as ‘Diary of a Madman’ and ‘The Nose’. Johnny Rodger reviews this retrospective as the first exhibition to attempt a survey across his life’s work, and appreciates Szafki's experimentation and his ever-developing concerns with form, tone and texture.
3rd June 2022

GLASGOW COOL OF ART:
13 books of fire at the Mackintosh Library
by Johnny Rodger
reviewed by MURDO MACDONALD

A new book 'Glasgow Cool of Art: 13 books of fire at the Mackintosh Library' takes a personal, artistic, intellectual and critical view of the two fires in Mackintosh's masterwork. It attempts to square the trauma that the fires caused by looking at the effect on a wide range of people -adults, children, citizens, academics, artists, architects, and as Murdo Macdonald notes in review, addresses the challenge of the international worth or otherwise of that great building.
22nd April 2022

POSTING MAY DAY:
The story of International Workers’ Day through Trade Union Posters
by LORNA MILLER

The Story of May Day as the celebration of International Workers Day, and specifically the organisation of the Glasgow May Day festivities over the last few years, is told by artist and political cartoonist Lorna Miller in a wonderful insight into her work in creation of posters for Glasgow Trades Council.
19th March 2022

TOMOKO KONOIKE
Storytelling Table Runner
by Naoko Mabon

Japanese Artist Tomoko Konoike brought her wonderful dialogic textile art to an event co-organised by The Drouth for Glasgow International last year. Curator Naoko Mabon first published this text on Konoike in the online version of the Japan Quality magazine (Tokyo: Fudosha Co.Ltd.) in February 2022.
15th March 2022

UNWIELDY WASTE MATERIALS:
The work of Justin Carter & Onya McCausland
by Danny McNally

Originally commissioned for our Climate issue, in this article cultural geographer Danny McNally engages with, and explores the work of two artists who work in processes with special attachments to materials and the earth.
28th January 2022

POINTS IN THE AMBIENCE:
Travels with Archaeologists & Artists in Orkney
by
Susan Brind & Jim Harold, Alex Hale, Daniel Lee, Antonia Thomas

The document of a journey and one-day dérive from Happy Valley to Billia Croo. In a collaboration between Archaeologists and Artists across the landscape in Orkney, Susan Brind & Jim Harold, Alex Hale, Daniel Lee, Antonia Thomas reveal layers of data and perform a 'disappearance'.