Frances Lightbound’s
TECTONICS
by
Pia Singh

7th October 2023

Frances Lightbound’s
TECTONICS
by
Pia Singh

'Things in process ... objects out of place and time.' Frances Lightbound's exhibition Tectonics at the John David Mooney Foundation in Chicago, reconfigures and re-enacts the languages of architectonics and manages to refuse the colonial configurations of power and brute strength in structural materials and components. Pia Singh reviews and finds a striking refinement in these rare and enigmatic arrangements.
9th July 2023

HOWSON’S INFERNO
by
GREG THOMAS

What cast of work is this, we might say of Peter Howson's new show at Edinburgh City Art Centre. He gives us a lot of matter to grapple with and a lot of things to ponder over. This is the first major retrospective of Howson's work with over 100 paintings over four floors. Arresting and compelling says Greg Thomas in review, and also grim and dark. Get along and make your own mind up is best.
10th February 2023

A TRIANGLE AND A CIRCLE:
the conception and execution of Dalí’s ‘Christ of St. John Of The Cross’ by Dmitriy Soliterman

The City of Glasgow bought Salvador Dalí's 'Christ of St. John of The Cross' for its Museums and Galleries collection in 1952. A high profile and controversial purchase, the painting has been attacked and seriously damaged on at least two occasions by visitors to the Kelvingrove Art Gallery. Where did Dalí get the idea for the work and what were the methodologies of his execution of it? Dmitriy Soliterman investigates.
23rd January 2023

THE GLEAN review by Sara Stevenson

Billed as 'groundbreaking', the Edinburgh City Art Centre exhibition, Glean - curated by Jenny Brownrigg - gathers the work of 14 pioneering early 20th century women photographers and filmmakers. Sara Stevenson reviews it for The Drouth, and considers it an 'impressive achievement'.
12th January 2023

What Should an Art School be? by Murdo Macdonald

A meditation on those places where you can learn to see things and make things, and mess around with materials and forms and colours, usually for no particular purpose other than what Murdo Macdonald calls here a 'true education'. What will come of it, what has become of it?
20th October 2022

FLAUNTING SZAFKI
by
JOHNNY RODGER

Born and raised in Glasgow, the only child of a Russian emigre, painter Yusef Szafki was much influenced by literature in his visual artwork. In an endlessly creative life, he published two literary works, including one on engaging with the Russian/Ukrainian writer Nikolai Gogol (60’ N (1996) ). Arguably the bold dreamlike, exaggerated style of Szafki’s work is influenced heavily by Gogol’s character, and his writing in such famous stories as ‘Diary of a Madman’ and ‘The Nose’. Johnny Rodger reviews this retrospective as the first exhibition to attempt a survey across his life’s work, and appreciates Szafki's experimentation and his ever-developing concerns with form, tone and texture.
3rd June 2022

GLASGOW COOL OF ART: 13 books of fire at the Mackintosh Library by Johnny Rodger reviewed by MURDO MACDONALD

A new book 'Glasgow Cool of Art: 13 books of fire at the Mackintosh Library' takes a personal, artistic, intellectual and critical view of the two fires in Mackintosh's masterwork. It attempts to square the trauma that the fires caused by looking at the effect on a wide range of people -adults, children, citizens, academics, artists, architects, and as Murdo Macdonald notes in review, addresses the challenge of the international worth or otherwise of that great building.
22nd April 2022

POSTING MAY DAY: The story of International Workers’ Day through Trade Union Posters by LORNA MILLER

The Story of May Day as the celebration of International Workers Day, and specifically the organisation of the Glasgow May Day festivities over the last few years, is told by artist and political cartoonist Lorna Miller in a wonderful insight into her work in creation of posters for Glasgow Trades Council.
19th March 2022

TOMOKO KONOIKE
Storytelling Table Runner
by Naoko Mabon

Japanese Artist Tomoko Konoike brought her wonderful dialogic textile art to an event co-organised by The Drouth for Glasgow International last year. Curator Naoko Mabon first published this text on Konoike in the online version of the Japan Quality magazine (Tokyo: Fudosha Co.Ltd.) in February 2022.