Billed as 'groundbreaking', the Edinburgh City Art Centre exhibition, Glean - curated by Jenny Brownrigg - gathers the work of 14 pioneering early 20th century women photographers and filmmakers. Sara Stevenson reviews it for The Drouth, and considers it an 'impressive achievement'.
In both Daisy Lafarge's poetry and prose -see her 'Metaphor as Parasite' in our Hollow issue - consciousness seems to float seamlessly in a fermentation of biology and minerology. Rochelle Roberts reviews her latest poetry collection here and finds it 'full of, and without air'.
An epistolary transliteration of a performative dialogue on the possibility of building a non-fiction cinema for the memory of women (as political subjects) – and the role of male academics in that process. Originally presented at Universitat Rovira i Virgili, Catalunya by Núria Araüna Baro and David Archibald.
'Our public spaces are not designed for female bodies', runs the blurb on on Leslie Kerns' book feminist city published by Verso. Writer and housing activist Andrea Gibbons takes a critical read, and ponders on why our cities are still made for and by 'mostly men', and what are the possibilities for other, better cities for all sorts of bodies and beyond the already charted pathways...
Historically the marginal realm of the feminine, the home for women artists was not always the mere prison of patriarchy. Tor Scott introduces the surrealist women who rendered the domestic sphere as visionary spaces for alchemy and transformation.
How long will the patriarchy last?
-How long have you got?
The universal quality of Butler's work demands, ironically, that you find it, not as some pristine, independent, already perfected example, but as situated in the relational context of, and with all the potential of, your own local world.