For Farah Saleh,
As her native land was invaded and put under curfew conditions, Saleh tells us how she returned to dance. He private domestic space became the only place where certain movements, certain gestures could be performed, rehearsed – remembered bodily.
Dance became a way to retain, endure and celebrate rather than forget, give up and entomb a range of ways of being and expressing oneself. In ‘What My Body Can/t Remember’ she teaches us to archive the bodily and helps us see that it is through our operation with that archive that we live and share our
Farah Saleh at the Tramway Participate